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Ideas for 'works', 'The Limits of Abstraction' and 'Real Essence'

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3 ideas

2. Reason / D. Definition / 3. Types of Definition
'Creative definitions' do not presuppose the existence of the objects defined [Fine,K]
     Full Idea: What I call 'creative definitions' are made from a standpoint in which the existence of the objects that are to be assigned to the terms is not presupposed.
     From: Kit Fine (The Limits of Abstraction [2002], II.1)
Implicit definitions must be satisfiable, creative definitions introduce things, contextual definitions build on things [Fine,K, by Cook/Ebert]
     Full Idea: Fine distinguishes 'implicit definitions', where we must know it is satisfiable before it is deployed, 'creative definitions', where objects are introduced in virtue of the definition, ..and 'contextual definitions', based on established vocabulary.
     From: report of Kit Fine (The Limits of Abstraction [2002], 060) by R Cook / P Ebert - Notice of Fine's 'Limits of Abstraction' 3
     A reaction: Fine is a fan of creative definition. This sounds something like the distinction between cutting nature at the perceived joints, and speculating about where new joints might be inserted. Quite a helpful thought.
2. Reason / D. Definition / 4. Real Definition
'Nominal' definitions identify things, but fail to give their essence [Jones,J-E]
     Full Idea: In the Aristotelian tradition, a 'nominal' definition is a pseudo-definition that identifies the members of the species or genus, but fails to capture the essence, e.g. 'man is the featherless biped'.
     From: Jan-Erik Jones (Real Essence [2012], §2)
     A reaction: You can 'individuate' an object as 'the only object in that drawer', while revealing nothing about it. So what must a definition do, in addition to picking something out uniquely?