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3 ideas
| 636 | Beauty involves the Forms of order, symmetry and limit, which can be handled mathematically [Aristotle] |
| Full Idea: The major Forms of the beautiful are order, symmetry and delimitation, and these are very much objects of the proofs of the mathematical sciences. | |
| From: Aristotle (Metaphysics [c.324 BCE], 1078a31) |
| 12875 | One false note doesn't make it a performance of a different work [Simons] |
| Full Idea: A performance of a certain work with a false note is still a performance of that work, albeit a slightly imperfect one, and not (as Goodman has argued) a performance of a different work. | |
| From: Peter Simons (Parts [1987], 7.6) | |
| A reaction: This is clearly right, but invites the question of how many wrong notes are permissable. One loud very wrong note could ruin a very long performance (but of that work, presumably). This is about classical music, but think about jazz. |
| 635 | The good is found in actions, but beauty can exist without movement [Aristotle] |
| Full Idea: The good is always in some action, whereas the beautiful can also be in things without movement. | |
| From: Aristotle (Metaphysics [c.324 BCE], 1078a26) |