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4 ideas
| 20873 | Tragedies are versified sufferings of people impressed by externals [Epictetus] |
| Full Idea: Tragedies are nothing but the sufferings of people who are impressed by externals, performed in the right sort of meter. | |
| From: Epictetus (The Discourses [c.56], 1.04.26) | |
| A reaction: The externals are things like honour, position and wealth. Wonderfully dismissive! |
| 22341 | Literature is the most important aspect of culture, because it teaches understanding of living [Murdoch] |
| Full Idea: The most essential and fundamental aspect of culture is the study of literature, since this is an education in how to picture and understand human situations. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], i) | |
| A reaction: It is significant that literature belongs more clearly to a nation or community than does most music or painting. You learn about Russians from their literature, but not much from their music. |
| 23364 | Homer wrote to show that the most blessed men can be ruined by poor judgement [Epictetus] |
| Full Idea: Did not Homer write to show us that the noblest, the strongest, the richest, the handsomest of men may nevertheless be the most unfortunate and wretched, if they do not hold the judgements that they ought to hold? | |
| From: Epictetus (The Discourses [c.56], 4.10.36) | |
| A reaction: This seems to be right. He clearly wrote about the greatest and most memorable events of recent times, but not just to record triumphs, because almost every hero (in the Iliad, at least) ends in disaster. |
| 22347 | Appreciating beauty in art or nature opens up the good life, by restricting selfishness [Murdoch] |
| Full Idea: The appreciation of beauty in art or nature is not only the easiest available spiritual exercise; it is also a completely adequate entry into (and not just analogy of) the good life, since it checks selfishness in the interest of seeing the real. | |
| From: Iris Murdoch (The Sovereignty of Good [1970], II) | |
| A reaction: Not keen on 'spiritual' exercises, but I very much like 'seeing the real' as a promotion of the good life. The hard bit is to know what reality you are seeing in a work of art. [p.84] Her example is the sudden sight of a hovering kestrel. |