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Ideas for 'Commentary on 'De Anima'', 'De Re Aedificatoria' and 'Parerga and Paralipomena'

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3 ideas

21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics concerns how we can take pleasure in an object, with no reference to the will [Schopenhauer]
     Full Idea: The central problem of aesthetics is how satisfaction with and pleasure in an object are possible without any reference thereof to our willing.
     From: Arthur Schopenhauer (Parerga and Paralipomena [1851], II:415), quoted by Christopher Janaway - Schopenhauer 6 'Aesthetic'
     A reaction: This does seem a good distinction. We can divide pleasures into willed and unwilled. Compare thinking that some remote stranger (in a photograph) is very beautiful, with falling in love with someone.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
The beautiful is a perception of Plato's Forms, which eliminates the will [Schopenhauer]
     Full Idea: In the beautiful we always perceive the intrinsic and primary form of animate and inanimate nature, that is to say Plato's Ideas thereof. …When an aesthetic perception occurs the will completely vanishes from consciousness.
     From: Arthur Schopenhauer (Parerga and Paralipomena [1851], XIX:205)
     A reaction: An essential Schopenauer idea. Iris Murdoch said something similar.
The beautiful is that from which nothing can be subtracted and to which nothing can be added [Alberti]
     Full Idea: The beautiful is that from which nothing can be taken away and to which nothing can be added but for the worse.
     From: Leon Battista Alberti (De Re Aedificatoria [1485]), quoted by Roger Scruton - Beauty: a very short introduction 9
     A reaction: Scruton rejects this Platonic tradition of beauty as organic wholeness, because you can't say how it would be 'worse' without invoking beauty, which makes it circular. Scruton appears to be correct.