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2 ideas
| 8119 | Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy] |
| Full Idea: According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present). | |
| From: report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked. |
| 12875 | One false note doesn't make it a performance of a different work [Simons] |
| Full Idea: A performance of a certain work with a false note is still a performance of that work, albeit a slightly imperfect one, and not (as Goodman has argued) a performance of a different work. | |
| From: Peter Simons (Parts [1987], 7.6) | |
| A reaction: This is clearly right, but invites the question of how many wrong notes are permissable. One loud very wrong note could ruin a very long performance (but of that work, presumably). This is about classical music, but think about jazz. |