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| 12875 | One false note doesn't make it a performance of a different work [Simons] |
| Full Idea: A performance of a certain work with a false note is still a performance of that work, albeit a slightly imperfect one, and not (as Goodman has argued) a performance of a different work. | |
| From: Peter Simons (Parts [1987], 7.6) | |
| A reaction: This is clearly right, but invites the question of how many wrong notes are permissable. One loud very wrong note could ruin a very long performance (but of that work, presumably). This is about classical music, but think about jazz. |