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3 ideas
| 20780 | Graspable presentations are criteria of facts, and are molded according to their objects [Chrysippus, by Diog. Laertius] |
| Full Idea: Of presentations, some are graspable, some non-graspable. The graspable presentation, which they say is the criterion of facts [pragmata], is that which comes from an existing object and is stamped and molded in accordance wth the existing object itself. | |
| From: report of Chrysippus (fragments/reports [c.240 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 07.46 | |
| A reaction: [in lost Physics Bk 2] The big modern anguish over truth-as-correspondence is how you are supposed to verify the 'accordance'. This idea seems to blur the ideas of truth and justification (the 'criterion'), and you can't have both as accordance. |
| 20793 | How could you ever know that the presentation is similar to the object? [Sext.Empiricus on Chrysippus] |
| Full Idea: One cannot say that the soul grasps the externally existing objects by means of the states of the senses on the basis of the similarity of these states to the externally existing objects. For on what basis will it know the similarity? | |
| From: comment on Chrysippus (fragments/reports [c.240 BCE]) by Sextus Empiricus - Outlines of Pyrrhonism 2.74 | |
| A reaction: This exactly the main modern reason for rejecting the correspondence theory of truth. You are welcome to affirm a robust view of truth, but supporting it by claiming a correspondence or resemblance is dubious. |
| 18983 | In many cases there is no obvious way in which ideas can agree with their object [James] |
| Full Idea: When you speak of the 'time-keeping function' of a clock, it is hard to see exactly what your ideas can copy. ...Where our ideas cannot copy definitely their object, what does agreement with that object mean? | |
| From: William James (Pragmatism - eight lectures [1907], Lec 6) | |
| A reaction: This is a very good criticism of the correspondence theory of truth. It looks a lovely theory when you can map components of a sentence (like 'the pen is in the drawer') onto components of reality - but it has to cover the hard cases. |