Combining Texts

Ideas for 'Defending the Axioms', 'Introduction - Ontology' and 'Intro to the Philosophy of Time'

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4 ideas

5. Theory of Logic / C. Ontology of Logic / 3. If-Thenism
Critics of if-thenism say that not all starting points, even consistent ones, are worth studying [Maddy]
     Full Idea: If-thenism denies that mathematics is in the business of discovering truths about abstracta. ...[their opponents] obviously don't regard any starting point, even a consistent one, as equally worthy of investigation.
     From: Penelope Maddy (Defending the Axioms [2011], 3.3)
     A reaction: I have some sympathy with if-thenism, in that you can obviously study the implications of any 'if' you like, but deep down I agree with the critics.
5. Theory of Logic / K. Features of Logics / 1. Axiomatisation
Hilbert's geometry and Dedekind's real numbers were role models for axiomatization [Maddy]
     Full Idea: At the end of the nineteenth century there was a renewed emphasis on rigor, the central tool of which was axiomatization, along the lines of Hilbert's axioms for geometry and Dedekind's axioms for real numbers.
     From: Penelope Maddy (Defending the Axioms [2011], 1.3)
If two mathematical themes coincide, that suggest a single deep truth [Maddy]
     Full Idea: The fact that two apparently fruitful mathematical themes turn out to coincide makes it all the more likely that they're tracking a genuine strain of mathematical depth.
     From: Penelope Maddy (Defending the Axioms [2011], 5.3ii)
5. Theory of Logic / L. Paradox / 7. Paradoxes of Time
A traveller takes a copy of a picture into the past, gives it the artist, who then creates the original! [Baron/Miller]
     Full Idea: Suppose an art critic travels back in time with a copy of an artist's masterpiece, gives the artist the copy, and the artist copies it. The copy of the copy turns out to be the original mastepiece. The artwork seems to come from nowhere.
     From: Baron,S/Miller,K (Intro to the Philosophy of Time [2019], 8.6)
     A reaction: Lovely thought. Is the example possible (even with time travel)? How would the critic possess the copy before making the time journey? What if the critic decided not to travel back in time? Can a picture exist if no one has imagined it first?