Combining Texts

Ideas for 'The Languages of Art', 'Natural Theology' and 'Mere Possibilities'

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3 ideas

8. Modes of Existence / B. Properties / 1. Nature of Properties
Properties are modal, involving possible situations where they are exemplified [Stalnaker]
     Full Idea: I take properties and relations to be modal notions. Properties are to be understood in terms of what it would be for them to be exemplified, which means understanding them in terms of a range of possible situations.
     From: Robert C. Stalnaker (Mere Possibilities [2012], 1.2)
     A reaction: I can't make head or tail of a property as anything other than a feature of some entity. Treating properties as a 'range of situations' is just as baffling to me as treating them as sets of objects.
8. Modes of Existence / B. Properties / 10. Properties as Predicates
I accept a hierarchy of properties of properties of properties [Stalnaker]
     Full Idea: I myself am prepared to accept higher-order properties and relations. There is the property of being Socrates, …and the property of being the property of being Socrates, ..and so on.
     From: Robert C. Stalnaker (Mere Possibilities [2012], 4.4)
     A reaction: Elsewhere I have quoted such a hierarchy of vacuous properties as an absurdity that arises if all predicates are treated as properties. Logicians can live with such stuff, given their set hierarchy and so on, but in science and life this is a nonsense.
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / a. Dispositions
Dispositions have modal properties, of which properties things would have counterfactually [Stalnaker]
     Full Idea: Dispositional properties deserve special mention since they seem to be properties that have modal consequences - consequences for what properties the individuals that instantiate them would have in counterfactual circumstances.
     From: Robert C. Stalnaker (Mere Possibilities [2012], 3.4)
     A reaction: I take this to be the key idea in trying to understand modality, but Stalnaker makes this point and then moves swiftly on, because it is so far away from his possible worlds models, in which he has invested a lifetime.