Combining Texts

Ideas for 'works', 'Every Thing Must Go' and 'Epistemic Injustice'

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3 ideas

9. Objects / C. Structure of Objects / 5. Composition of an Object
The idea of composition, that parts of the world are 'made of' something, is no longer helpful [Ladyman/Ross]
     Full Idea: It is no longer helpful to conceive of either the world, or particular systems of the world that we study in partial isolation, as 'made of' anything at all. …Our target here is the metaphysical idea of composition.
     From: J Ladyman / D Ross (Every Thing Must Go [2007], 1.1)
     A reaction: This is argued by them from the point of view of fundamental physics as the provider of our basic metaphysics about the world. Personally I really really want to know what electrons are made of, but I know no one is going to tell me. They may even laugh.
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
Plato says wholes are either containers, or they're atomic, or they don't exist [Plato, by Koslicki]
     Full Idea: Plato considers a 'container' model for wholes (which are disjoint from their parts) [Parm 144e3-], and a 'nihilist' model, in which only wholes are mereological atoms, and a 'bare pluralities' view, in which wholes are not really one at all.
     From: report of Plato (works [c.375 BCE]) by Kathrin Koslicki - The Structure of Objects 5.2
     A reaction: [She cites Verity Harte for this analysis of Plato] The fourth, and best, seems to be that wholes are parts which fall under some unifying force or structure or principle.
A sum of things is not a whole if the whole does not support some new generalisation [Ladyman/Ross]
     Full Idea: A nostril, a city and a trumpet solo is not a real pattern, because identification of it supports no generalisations not supported by identification of the three conjuncts considered separately.
     From: J Ladyman / D Ross (Every Thing Must Go [2007], 4.4)
     A reaction: This is a nice try at offering a criterion for unity, but I doubt whether it will work, because an ingenious person could come up with wild generalisations. These three combined make possible a charming new line of poetry.