display all the ideas for this combination of texts
6 ideas
| 13261 | Plato sees an object's structure as expressible in mathematics [Plato, by Koslicki] |
| Full Idea: The 'structure' of an object tends to be characterised by Plato as something that is mathematically expressible. | |
| From: report of Plato (works [c.375 BCE]) by Kathrin Koslicki - The Structure of Objects 5.3 | |
| A reaction: This seems to be pure Pythagoreanism (see Idea 644). Plato is pursuing Pythagoras's research programme, of trying to find mathematics buried in every aspect of reality. |
| 13265 | Plato was less concerned than Aristotle with the source of unity in a complex object [Plato, by Koslicki] |
| Full Idea: Plato was less concerned than Aristotle with the project of how to account, in completely general terms, for the source of unity within a mereologically complex object. | |
| From: report of Plato (works [c.375 BCE]) by Kathrin Koslicki - The Structure of Objects 5.5 | |
| A reaction: Plato seems to have simply asserted that some sort of harmony held things together. Aristotles puts the forms [eidos] within objects, rather than external, so he has to give a fuller account of what is going on in an object. He never managed it! |
| 593 | Plato's holds that there are three substances: Forms, mathematical entities, and perceptible bodies [Plato, by Aristotle] |
| Full Idea: Plato's doctrine was that the Forms and mathematicals are two substances and that the third substance is that of perceptible bodies. | |
| From: report of Plato (works [c.375 BCE]) by Aristotle - Metaphysics 1028b |
| 14740 | If Tib is all of Tibbles bar her tail, when Tibbles loses her tail, two different things become one [Sider] |
| Full Idea: This powerful puzzle (known to the Stoics, introduced by Geach, popularised by Wiggins) has a cat Tibbles and a proper part Tib, which is all of Tibbles except the tail. If Tibbles loses her tail, the two were distinct, but they now coincide. | |
| From: Theodore Sider (Four Dimensionalism [2001], 5.1) | |
| A reaction: [compressed] Compare a few people leave a football ground, and what was a large part of the crowd becomes the whole of the crowd. Which suggests that there is no problem if cats are like crowds. But we don't like that view of cats. |
| 14752 | Artists 'create' statues because they are essentially statues, and so lack identity with the lump of clay [Sider] |
| Full Idea: Presumably it is claimed that the artist 'created' the statue because the object created is essentially a statue, and thus cannot be identified with the unformed lump of clay with which the artist began. | |
| From: Theodore Sider (Four Dimensionalism [2001]) | |
| A reaction: This is based on Burke's views. This is sortal essentialism, rather than my own view of essence as an inner explanatory mechanism or form. If an old abstract sculpture was no longer recognised as a statue, would it necessarily still be a statue? |
| 14743 | The stage view of objects is best for dealing with coincident entities [Sider] |
| Full Idea: There are numerous cases in which there is pressure to admit coincident entities. The best way of coming to grips with this, I think, invokes the stage view. ...In the worm theory, coincident objects are no more mysterious than overlapping roads. | |
| From: Theodore Sider (Four Dimensionalism [2001], 5.1) | |
| A reaction: At this point I get nervous if in order to 'get to grips' with a phenomenon which is hard to articulate but obvious to common sense, we have to invoke a rather startling metaphysics that completely upends the common sense we started with. |