21 ideas
11115 | 'All horses' either picks out the horses, or the things which are horses [Jubien] |
11116 | Being a physical object is our most fundamental category [Jubien] |
11117 | Haecceities implausibly have no qualities [Jubien] |
11119 | De re necessity is just de dicto necessity about object-essences [Jubien] |
11118 | Modal propositions transcend the concrete, but not the actual [Jubien] |
11108 | Your properties, not some other world, decide your possibilities [Jubien] |
11111 | Modal truths are facts about parts of this world, not about remote maximal entities [Jubien] |
11105 | We have no idea how many 'possible worlds' there might be [Jubien] |
11109 | If other worlds exist, then they are scattered parts of the actual world [Jubien] |
11106 | If all possible worlds just happened to include stars, their existence would be necessary [Jubien] |
11112 | Possible worlds just give parallel contingencies, with no explanation at all of necessity [Jubien] |
11113 | Worlds don't explain necessity; we use necessity to decide on possible worlds [Jubien] |
11107 | If there are no other possible worlds, do we then exist necessarily? [Jubien] |
15793 | We can take 'ways things might have been' as irreducible elements in our ontology [Stalnaker, by Lycan] |
11110 | We mustn't confuse a similar person with the same person [Jubien] |
20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |