7 ideas
| 16025 | If things change they become different - but then no one thing undergoes the change! [Gallois] |
| Full Idea: If things really change, there can't literally be one thing before and after the change. However, if there isn't one thing before and after the change, then no thing has really undergone any change. | |
| From: André Gallois (Identity over Time [2011], Intro) | |
| A reaction: [He cites Copi for this way of expressing the problem of identity through change] There is an obvious simple ambiguity about 'change' in ordinary English. A change of property isn't a change of object. Painting a red ball blue isn't swapping it. |
| 16026 | 4D: time is space-like; a thing is its history; past and future are real; or things extend in time [Gallois] |
| Full Idea: We have four versions of Four-Dimensionalism: the relativistic view that time is space-like; a persisting thing is identical with its history (so objects are events); past and future are equally real; or (Lewis) things extend in time, with temporal parts. | |
| From: André Gallois (Identity over Time [2011], §2.5) | |
| A reaction: Broad proposed the second one. I prefer 3-D: at any given time a thing is wholly present. At another time it is wholly present despite having changed. It is ridiculous to think that small changes destroy identity. We acquire identity by dying?? |
| 16027 | If two things are equal, each side involves a necessity, so the equality is necessary [Gallois] |
| Full Idea: The necessity of identity: a=b; □(a=a); so something necessarily = a; so something necessarily must equal b; so □(a=b). [A summary of the argument of Marcus and Kripke] | |
| From: André Gallois (Identity over Time [2011], §3) | |
| A reaction: [Lowe 1982 offered a response] The conclusion seems reasonable. If two things are mistakenly thought to be different, but turn out to be one thing, that one thing could not possibly be two things. In no world is one thing two things! |
| 18545 | The disinterested attitude of the judge is the hallmark of a judgement of beauty [Shaftesbury, by Scruton] |
| Full Idea: Shaftesbury explained the peculiar features of the judgement of beauty in terms of the disinterested attitude of the judge. | |
| From: report of 3rd Earl of Shaftesbury (Characteristics [1711]) by Roger Scruton - Beauty: a very short introduction 1 | |
| A reaction: Good. I take our vocabulary to mark a distinction between expressions of subjective preference, and expressions of what aspire to be objective facts. 'I love this' versus 'this is good or beautiful'. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |