Combining Texts

All the ideas for 'Inquiry Concerning Virtue or Merit', 'Completeness of Axioms of Logic' and 'Languages of Art (2nd edn)'

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12 ideas

4. Formal Logic / C. Predicate Calculus PC / 3. Completeness of PC
17751 Gödel proved the completeness of first order predicate logic in 1930 [Gödel, by Walicki]
     Full Idea: Gödel proved the completeness of first order predicate logic in his doctoral dissertation of 1930.
     From: report of Kurt Gödel (Completeness of Axioms of Logic [1930]) by Michal Walicki - Introduction to Mathematical Logic History E.2.2
21. Aesthetics / B. Nature of Art / 1. Defining Art
20440 Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman]
     Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers.
21. Aesthetics / B. Nature of Art / 5. Art as Language
20439 Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli]
     Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations.
     From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20438 A performance is only an instance of a work if there is not a single error [Goodman]
     Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics)
     A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal.
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
20437 A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman]
     Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2
     A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / c. Ethical intuitionism
6237 Fear of God is not conscience, which is a natural feeling of offence at bad behaviour [Shaftesbury]
     Full Idea: Conscience is to find horribly offensive the reflection of any unjust action or behaviour; to have awe and terror of the Deity, does not, of itself, imply conscience; …thus religious conscience supposes moral or natural conscience.
     From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], II.II.I)
     A reaction: The reply from religion would be that the Deity has implanted natural conscience in each creature, though this seems to deny our freedom of moral judgment. Personally I am inclined to think that values are just observations of the world - such as health.
22. Metaethics / A. Ethics Foundations / 2. Source of Ethics / h. Expressivism
6234 If an irrational creature with kind feelings was suddenly given reason, its reason would approve of kind feelings [Shaftesbury]
     Full Idea: If a creature wanting reason has many good qualities and affections, it is certain that if you give this creature a reflecting faculty, it will at the same instant approve of gratitude, kindness and pity.
     From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], I.III.III)
     A reaction: A wonderful denunciation of the authority of reason, which must have influenced David Hume. I think, though, that the inverse of this case must be considered (if suddenly given feelings, they would fall in line with reasoning). We reason about feelings.
22. Metaethics / C. The Good / 1. Goodness / g. Consequentialism
6233 A person isn't good if only tying their hands prevents their mischief, so the affections decide a person's morality [Shaftesbury]
     Full Idea: We do not say that he is a good man when, having his hands tied up, he is hindered from doing the mischief he designs; …hence it is by affection merely that a creature is esteemed good or ill, natural or unnatural.
     From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], I.II.I)
     A reaction: Note that he more or less equates being morally 'ill' with being 'unnatural'. We tend to reserve 'unnatural' for extreme or perverse crimes. Personally I would place more emphasis on evil judgements, and less on evil feelings.
22. Metaethics / C. The Good / 3. Pleasure / d. Sources of pleasure
6236 People more obviously enjoy social pleasures than they do eating and drinking [Shaftesbury]
     Full Idea: How much the social pleasures are superior to any other may be known by visible tokens and effects; the marks and signs which attend this sort of joy are more intense and clear than those which attend the satisfaction of thirst and hunger.
     From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], II.II.I)
     A reaction: He presumably refers to smiles and laughter, but they could be misleading as they are partly a means of social communication. You should ask people whether they would prefer a nice conversation or a good pork chop. Nice point, though.
23. Ethics / A. Egoism / 1. Ethical Egoism
6235 Self-interest is not intrinsically good, but its absence is evil, as public good needs it [Shaftesbury]
     Full Idea: Though no creature can be called good merely for possessing the self-preserving affections, it is impossible that public good can be preserved without them; so that a creature wanting in them is wanting in natural rectitude, and may be esteemed vicious.
     From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], II.I.III)
     A reaction: Aristotle held a similar view (Idea 92). I think maybe Shaftesbury was the last call of the Aristotelians, before being engulfed by utilitarians and Kantians. This idea is at the core of capitalism.
23. Ethics / C. Virtue Theory / 1. Virtue Theory / b. Basis of virtue
6232 Every creature has a right and a wrong state which guide its actions, so there must be a natural end [Shaftesbury]
     Full Idea: We know there is a right and a wrong state of every creature; and that his right one is by nature forwarded, and by himself affectionately sought. There being therefore in every creature a certain interest or good; there must also be a natural end.
     From: 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699], I.II.I)
     A reaction: This is an early modern statement of Aristotelian teleology, just at the point where it was falling out of fashion. The underlying concept is that of right function. I agree with Shaftesbury, but you can't stop someone damaging their health.
28. God / A. Divine Nature / 6. Divine Morality / b. Euthyphro question
5642 For Shaftesbury, we must already have a conscience to be motivated to religious obedience [Shaftesbury, by Scruton]
     Full Idea: Shaftesbury argued that no morality could be founded in religious obedience, or piety. On the contrary, a man is motivated to such obedience only because conscience tells him that the divine being is worthy of it.
     From: report of 3rd Earl of Shaftesbury (Inquiry Concerning Virtue or Merit [1699]) by Roger Scruton - Short History of Modern Philosophy Ch.8
     A reaction: This seems to me a good argument. The only alternative is that we are brought to God by a conscience which was planted in us by God, but then how would you know you were being obedient to the right hypnotist?