7 ideas
| 22593 | Our sensation of light may not be the same as what produces the sensation [Descartes] |
| Full Idea: There can be a difference between our sensation of light and what is in the objects that produce that sensation in us. | |
| From: René Descartes (The World [1631]), quoted by Ian Dunt - How to be a Liberal 1 | |
| A reaction: Note only that they 'may' differ, and that he does not assert that they are entirely different. Secondary qualities give information, and are not just mental events. |
| 18545 | The disinterested attitude of the judge is the hallmark of a judgement of beauty [Shaftesbury, by Scruton] |
| Full Idea: Shaftesbury explained the peculiar features of the judgement of beauty in terms of the disinterested attitude of the judge. | |
| From: report of 3rd Earl of Shaftesbury (Characteristics [1711]) by Roger Scruton - Beauty: a very short introduction 1 | |
| A reaction: Good. I take our vocabulary to mark a distinction between expressions of subjective preference, and expressions of what aspire to be objective facts. 'I love this' versus 'this is good or beautiful'. |
| 7276 | All art is quite useless [Wilde] |
| Full Idea: All art is quite useless. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: Echoes Kant's thought that art is 'purposive without purpose'. Although I find Wilde's claims that morality has nothing to do with art to be naïve, I find this remark sympathetic. Art may play with moral feelings, but is unlikely to affect actions. |
| 7274 | Books are only well or badly written, not moral or immoral [Wilde] |
| Full Idea: There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This is simply false. Novels that are viciously (or subtly) racist, sexist, homophobic, or egotistical can obviously be immoral. I could write a nasty story about Oscar Wilde. It might, though, be very well written. If life is moral, so are novels. |
| 7275 | Having ethical sympathies is a bad mannerism of style in an artist [Wilde] |
| Full Idea: No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. | |
| From: Oscar Wilde (Preface to 'Dorian Gray' [1891]) | |
| A reaction: This has a Nietzschean suggestion that the artist is 'beyond good and evil', and operates on some higher level of values, which in Wilde's case seem to be purely aesthetic. You can't justify a callous murder by executing it beautifully. |
| 16569 | The Hot, Cold, Wet and Dry of the philosophers need themselves to be explained [Descartes] |
| Full Idea: If you find it strange that in explaining these elements I do not use the qualities called Hot, Cold, Wet and Dry - as the philosophers do - I shall say to you that these qualities themselves seem to me to need explanation. | |
| From: René Descartes (The World [1631], 9:25-6), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 1.3 | |
| A reaction: Nice. I take pushing the boundaries of explanation back (or down) to be the basic driving force of all human thought, in metaphysics as well as in physics. |
| 20964 | Descartes said there was conservation of 'quantity of motion' [Descartes, by Papineau] |
| Full Idea: Descartes incorporated the conservation of what he called 'quantity of motion', by which he meant mass times speed. | |
| From: report of René Descartes (The World [1631]) by David Papineau - Thinking about Consciousness App 2 | |
| A reaction: Mass times velocity is now called 'momentum'. Is this the first ever conservation law? There are now lots of them. |