Combining Texts

All the ideas for 'Idealism: a critical survey', 'Structure and Nature' and 'Principles of Nature and Grace based on Reason'

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9 ideas

6. Mathematics / B. Foundations for Mathematics / 7. Mathematical Structuralism / a. Structuralism
I apply structuralism to concrete and abstract objects indiscriminately [Quine]
     Full Idea: My own line is a yet more sweeping structuralism (than David Lewis's account of classes), applying to concrete and abstract objects indiscriminately.
     From: Willard Quine (Structure and Nature [1992], p.6), quoted by Stewart Shapiro - Philosophy of Mathematics 4.9
     A reaction: Shapiro calls this 'breathtaking', and retreats from it, but it is something like my own view, starting from Mill's pebbles and working up.
7. Existence / A. Nature of Existence / 5. Reason for Existence
First: there must be reasons; Second: why anything at all?; Third: why this? [Leibniz]
     Full Idea: We rise to metaphysics by saying 'nothing takes place without a reason', then asking 'why is there something rather than nothing?, and then 'why do things exist as they do?'
     From: Gottfried Leibniz (Principles of Nature and Grace based on Reason [1714], §7)
     A reaction: Wonderful. This is what we pay philosophers for - to attempt to go to the heart of the mystery, and then start formulating the appropriate questions. The question of 'why this?' is the sweetest question. The first one seems a little intractable.
7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
A monad and its body are living, so life is everywhere, and comes in infinite degrees [Leibniz]
     Full Idea: Each monad, together with a particular body, makes up a living substance. Thus, there is not only life everywhere, joined to limbs or organs, but there are also infinite degrees of life in the monads, some dominating more or less over others.
     From: Gottfried Leibniz (Principles of Nature and Grace based on Reason [1714], 4)
     A reaction: Two key ideas: that each monad is linked to a body (which is presumably passive), and the infinite degrees of life in monads. Thus rocks consist of monads, but at an exceedingly low degree of life. They are stubborn and responsive.
7. Existence / D. Theories of Reality / 6. Physicalism
My ontology is quarks etc., classes of such things, classes of such classes etc. [Quine]
     Full Idea: My tentative ontology continues to consist of quarks and their compounds, also classes of such things, classes of such classes, and so on.
     From: Willard Quine (Structure and Nature [1992], p.9), quoted by Stewart Shapiro - Philosophy of Mathematics 4.9
     A reaction: I would call this the Hierarchy of Abstraction (just coined it - what do you think?). Unlike Quine, I don't see why its ontology should include things called 'sets' in addition to the things that make them up.
12. Knowledge Sources / B. Perception / 1. Perception
'Perception' is basic internal representation, and 'apperception' is reflective knowledge of perception [Leibniz]
     Full Idea: We distinguish between 'perception', the internal state of the monad representing external things, and 'apperception', which is consciousness, or the reflective knowledge of this internal state, not given to all souls, nor at all times to a given soul.
     From: Gottfried Leibniz (Principles of Nature and Grace based on Reason [1714], §4)
     A reaction: The word 'apperception' is standard in Kant. I find it surprising that modern analytic philosophers don't seem to use it when they write about perception. It strikes me as useful, but maybe specialists have a reason for avoiding it.
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / b. Pro-coherentism
We can no more expect a precise definition of coherence than we can of the moral ideal [Ewing]
     Full Idea: I think it is wrong to tie down the advocates of the coherence theory to a precise definition. ...It would be altogether unreasonable to demand that the moral ideal should be exhaustively defined, and the same may be true of the ideal of thought.
     From: A.C. Ewing (Idealism: a critical survey [1934], p.231), quoted by Erik J. Olsson - Against Coherence 7.6
     A reaction: I strongly agree. It is not a council of despair. I think the criteria of coherence can be articulated quite well (e.g by Thagard), and the virtues of enquiry can also be quite well specified (e.g. by Zagzebski). Very dissimilar evidence must cohere.
13. Knowledge Criteria / B. Internal Justification / 5. Coherentism / c. Coherentism critique
If undetailed, 'coherence' is just a vague words that covers all possible arguments [Ewing]
     Full Idea: Without a detailed account, coherence is reduced to the mere muttering of the word 'coherence', which can be interpreted so as to cover all arguments, but only by making its meaning so wide as to rob it of almost all significance.
     From: A.C. Ewing (Idealism: a critical survey [1934], p.246), quoted by Erik J. Olsson - Against Coherence 2.2
     A reaction: I'm a fan of coherence, but it is a placeholder, involving no intrinsic or detailed theory. I just think it points to the reality of how we make judgements, especially practical ones. We can categorise the inputs, and explain the required virtues.
15. Nature of Minds / A. Nature of Mind / 7. Animal Minds
Animals are semi-rational because they connect facts, but they don't see causes [Leibniz]
     Full Idea: There is a connexion between the perceptions of animals, which bears some resemblance to reason: but it is based only on the memory of facts or effects, and not at all on the knowledge of causes.
     From: Gottfried Leibniz (Principles of Nature and Grace based on Reason [1714], §5)
     A reaction: This amounts to the view that animals can do Humean induction (where you see regularities), but not Leibnizian induction (where you see necessities). I say all minds perceive patterns, but only humans can think about the patterns they have perceived.
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music charms, although its beauty is the harmony of numbers [Leibniz]
     Full Idea: Music charms us although its beauty only consists in the harmony of numbers.
     From: Gottfried Leibniz (Principles of Nature and Grace based on Reason [1714], §17)
     A reaction: 'Only'! This is a super-pythagorean view of music, as you might expect from a great mathematician. Did he understand the horrible compromises that had just been made to achieve even-tempered tuning? Patterns are the key, as always.