8 ideas
| 7091 | The argument from analogy is not a strong inference, since the other being might be an actor or a robot [Grayling] |
| Full Idea: The argument from analogy is a weak one, because it does not logically guarantee the inference I draw to the other's inner states, for he might be dissimulating or acting, or may even be a cleverly contrived robot which feels nothing. | |
| From: A.C. Grayling (Wittgenstein [1988], Ch.3) | |
| A reaction: This gives the impression that for an argument to be strong it must logically guarantee its inference. It strikes me that analogy is a good reason for believing in other minds, but that is because I am looking for the best explanation, not logical proof. |
| 7906 | When the Buddha reached the highest level of insight, he could detect no self in the world [Ashvaghosha] |
| Full Idea: The great Buddha passed through the eight stages of Transic insight, and quickly reached their highest point. From the summit of the world downwards he could detect no self anywhere. | |
| From: Ashvaghosha (Buddhacarita [c.50], XIV) | |
| A reaction: In the manner of Nietzsche, I am inclined to say that they find what they want to find, because that is their value. They want to get rid of the self, and dream of a mode in which existence continues without it. Is Buddhism opposed to human life? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 7904 | The first stage of trance is calm amidst applied and discursive thinking [Ashvaghosha] |
| Full Idea: The first stage of trance is calm amidst applied and discursive thinking. | |
| From: Ashvaghosha (Buddhacarita [c.50], V.11) | |
| A reaction: Personally I am not sure that I would want to go any further that the first stage, since the elimination of discursive thinking seems to me to be approaching death. To pursue intense thinking very calmly I take to be the ideal of all western philosophers. |
| 7905 | The Buddha sought ultimate reality and the final goal of existence in his meditations [Ashvaghosha] |
| Full Idea: Next the Boddhisatva, possessed of great skill in Transic meditation, put himself into a trance, intent on discerning both the ultimate reality of things and the final goal of existence. | |
| From: Ashvaghosha (Buddhacarita [c.50], XIV.2) | |
| A reaction: The ontological and teleological goals of the Buddha were identical to the goals of the ancient Greek philosophers, and even we have teleological aims in our study of evolution. I would expect better results from the western approach. |