37 ideas
| 7823 | Lucretius was rediscovered in 1417 [Grayling] |
| Full Idea: Lucretius's 'De Rerum Natura' was rediscovered in 1417, after languishing forgotten for six centuries. | |
| From: A.C. Grayling (What is Good? [2003], Ch.5) | |
| A reaction: A wonder. Is it the greatest book of the ancient world - because it partially preserves the lost philosophy of great Democritus? |
| 9136 | The paradox of analysis says that any conceptual analysis must be either trivial or false [Sorensen] |
| Full Idea: The paradox of analysis says if a conceptual analysis states exactly what the original statement says, then the analysis is trivial; if it says something different from the original, then the analysis is mistaken. All analyses are trivial or false. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 8.5) | |
| A reaction: [source is G.E. Moore] Good analyses typically give explanations, or necessary and sufficient conditions, or inferential relations. At their most trivial they at least produce a more profound dictionary than your usual lexicographer. Not guilty. |
| 9131 | Two long understandable sentences can have an unintelligible conjunction [Sorensen] |
| Full Idea: If there is an upper bound on the length of understandable sentences, then two understandable sentences can have an unintelligible conjunction. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 6.4) | |
| A reaction: Not a huge paradox about the use of the word 'and', perhaps, but a nice little warning to be clear about what is being claimed before you cheerfully assert a screamingly obvious law of thought, such as conjunction. |
| 9139 | If nothing exists, no truthmakers could make 'Nothing exists' true [Sorensen] |
| Full Idea: If nothing exists, then there are no truthmakers that could make 'Nothing exists' true. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 11.2) | |
| A reaction: [He cites David Lewis] We may be confusing truth with facts. I take facts to be independent of minds, but truth only makes sense as a concept in the presence of minds which are endeavouring to think well. |
| 9140 | Which toothbrush is the truthmaker for 'buy one, get one free'? [Sorensen] |
| Full Idea: If I buy two toothbrushes on a 'buy one, get one free' offer, which one did I buy and which one did I get free? Those who believe that each contingent truth has a truthmaker are forced to believe that 'buy one, get one free' is false. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 11.6) | |
| A reaction: Nice. There really is no fact of which toothbrush is the free one. The underlying proposition must presumably be 'two for the price of one'. But you could hardly fault the first slogan under the Trades Descriptions Act. |
| 9119 | No attempt to deny bivalence has ever been accepted [Sorensen] |
| Full Idea: The history of deviant logics is without a single success. Bivalence has been denied at least since Aristotle, yet no anti-bivalent theory has ever left the philosophical nursery. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], Intro) | |
| A reaction: This is part of a claim that nothing in reality is vague - it is just our ignorance of the truth or falsity of some propositions. Personally I don't see why 'Grandad is bald' has to have a determinate truth value. |
| 9135 | We now see that generalizations use variables rather than abstract entities [Sorensen] |
| Full Idea: As philosophers gradually freed themselves from the assumption that all words are names, ..they realised that generalizations really use variables rather than names of abstract entities. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 8.4) | |
| A reaction: This looks like a key thought in trying to understand abstraction - though I don't think you can shake it off that easily. (For all x)(x-is-a-bird then x-has-wings) seems to require a generalised concept of a bird to give a value to the variable. |
| 9125 | Denying problems, or being romantically defeated by them, won't make them go away [Sorensen] |
| Full Idea: An unsolvable problem is still a problem, despite Wittgenstein's view that there are no genuine philosophical problems, and Kant's romantic defeatism in his treatment of the antinomies of pure reason. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 4.3) | |
| A reaction: I like the spin put on Kant, that he is a romantic in his defeatism. He certainly seems reluctant to slash at the Gordian knot, e.g. by being a bit more drastically sceptical about free will. |
| 9137 | Banning self-reference would outlaw 'This very sentence is in English' [Sorensen] |
| Full Idea: The old objection to the ban on self-reference is that it is too broad; it bans innocent sentences such as 'This very sentence is in English'. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 11.1) | |
| A reaction: Tricky. What is the sigificant difference between 'this sentence is in English' and 'this sentence is a lie'? The first concerns context and is partly metalinguistic. The second concerns semantics and truth. Concept and content.. |
| 9116 | Vague words have hidden boundaries [Sorensen] |
| Full Idea: Vague words have hidden boundaries. The subtraction of a single grain of sand might turn a heap into a non-heap. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], Intro) | |
| A reaction: The first sentence could be the slogan for the epistemic view of vagueness. The opposite view is Sainsbury's - that vague words are those which do not have any boundaries. Sorensen admits his view is highly counterintuitive. I think I prefer Sainsbury. |
| 9132 | An offer of 'free coffee or juice' could slowly shift from exclusive 'or' to inclusive 'or' [Sorensen] |
| Full Idea: Sometimes an exclusive 'or' gradually develops into an inclusive 'or'. A restaurant offers 'free coffee or juice'. The customers ask for both, and gradually they are given it, first as a courtesy, and eventually as an expectation. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 7.2) | |
| A reaction: [compressed] A very nice example - of the rot of vagueness even seeping into the basic logical connectives. We don't have to accept it, though. Each instance of usage of 'or', by manager or customer, might be clearly one or the other. |
| 9128 | It is propositional attitudes which can be a priori, not the propositions themselves [Sorensen] |
| Full Idea: The primary bearer of apriority is the propositional attitude (believing, knowing, guessing and so on) rather than the proposition itself. A proposition could be a priori to homo sapiens but a posteriori to Neandethals. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 6.3) | |
| A reaction: A putative supreme being is quite useful here, who might even see the necessity of Arsenal beating Manchester United next Saturday. Unlike infants, adults know a priori that square pegs won't fit round holes. |
| 9130 | Attributing apriority to a proposition is attributing a cognitive ability to someone [Sorensen] |
| Full Idea: Every attribution of apriority to a proposition is tacitly an attribution of a cognitive ability to some thinker. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 6.3) | |
| A reaction: The ability would include a range of background knowledge, as well as a sheer power of intellect. If you know all of Euclid's theorems, you will spot facts about geometrical figues quicker than me. His point is important. |
| 9118 | The colour bands of the spectrum arise from our biology; they do not exist in the physics [Sorensen] |
| Full Idea: The bands of colour in a colour spectrum do not correspond to objective discontinuities in light wavelengths. These apparently external bands arise from our biology rather than simple physics. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], Intro) | |
| A reaction: If any more arguments are needed to endorse the fact that some qualities are clearly secondary (and, to my amazement, such arguments seem to be very much needed), I would take this to be one of the final conclusive pieces of evidence. |
| 9124 | We are unable to perceive a nose (on the back of a mask) as concave [Sorensen] |
| Full Idea: The human perceptual system appears unable to represent a nose as concave rather than convex. If you look at the concave side of a mask, you see the features as convex. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 4.3) | |
| A reaction: I don't think that is quite true. You wouldn't put a mask on if you thought it was convex. It is usually when seen at a distance with strong cross-lighting that the effect emerges. Nevertheless, it is an important point. |
| 9126 | Bayesians build near-certainty from lots of reasonably probable beliefs [Sorensen] |
| Full Idea: Bayesians demonstrate that a self-correcting agent can build an imposing edifice of near-certain knowledge from numerous beliefs that are only slightly more probable than not. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 6.1) | |
| A reaction: This strikes me as highly significant for the coherence account of justification, even if one is sceptical about the arithmetical approach to belief of Bayesianism. It seems obvious that lots of quite likely facts build towards certainty, Watson. |
| 9121 | Illusions are not a reason for skepticism, but a source of interesting scientific information [Sorensen] |
| Full Idea: Philosophers tend to associate illusions with skepticism. But since illusions are signs of modular construction, they are actually reason for scientific hope. Illusions have been very useful in helping us to understand vision. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 1.4) | |
| A reaction: This is a nice reversal of the usual view. If I see double, it reveals to me that my eyes are not aligned properly. Anyone led to scepticism by illusions should pay more attention to themselves, and less to the reality they hope to know directly. |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 9134 | The negation of a meaningful sentence must itself be meaningful [Sorensen] |
| Full Idea: The negation of any meaningful sentence must itself be meaningful. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 8.1) | |
| A reaction: Nice. Compare 'there is another prime number beyond the highest one we have found' with its negation. The first seems verifiable in principle, but the second one doesn't. So the verificationist must deny Sorensen's idea? |
| 9133 | Propositions are what settle problems of ambiguity in sentences [Sorensen] |
| Full Idea: Propositions play the role of dis-ambiguators; they are the things between which utterances are ambiguous. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 7.7) | |
| A reaction: I have become a great fan of propositions, and I think this is one of the key reasons for believing in them. The proposition is what we attempt to pin down when asked 'what exactly did you mean by what you just said?' |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |
| 7809 | In an honour code shame is the supreme punishment, and revenge is a duty [Grayling] |
| Full Idea: An honour code is one in which the greatest punishment is shame, and in which revenge is a duty. | |
| From: A.C. Grayling (What is Good? [2003], Ch.2) | |
| A reaction: Is this really what Nietzsche wanted to revive? Shame isn't a private matter - it needs solidarity of values in the community, and contempt for dishonour, so that it becomes everyone's worst fear. |
| 9129 | I can buy any litre of water, but not every litre of water [Sorensen] |
| Full Idea: I am entitled to buy any litre of water, but I am not entitled to buy every litre of water. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 6.3) | |
| A reaction: A decent social system must somehow draw a line between buying up all the water and buying up all the paintings of Vermeer. Even the latter seems wicked, but it is hard to pin down the reason. |
| 7824 | If suicide is lawful, but assisting suicide is unlawful, powerless people are denied their rights [Grayling] |
| Full Idea: An anomaly created by England's 1961 Suicide Act is that it is lawful to take one's own life, but unlawful to help anyone else to do it. This means anyone unable to commit suicide without help is denied one of their fundamental rights. | |
| From: A.C. Grayling (What is Good? [2003], Ch.8) | |
| A reaction: There is a difference, not really captured either by law or by reason, between tolerating an activity, and encouraging and helping it. I think the test question is "this activity is legal, but would you want your child to do it?" |
| 9122 | God cannot experience unwanted pain, so God cannot understand human beings [Sorensen] |
| Full Idea: Theologians worry that God may be an alien being. God cannot feel pain since pain is endured against one's will. God is all powerful and suffers nothing against His Will. To understand pain, one must experience pain. So God's power walls him off from us. | |
| From: Roy Sorensen (Vagueness and Contradiction [2001], 3.2) | |
| A reaction: I can't think of a good theological reply to this. God, and Jesus too (presumably), can only experience pain if they volunteer for it. It is inconceivable that they could be desperate for it to stop, but were unable to achieve that. |
| 7819 | Religion gives answers, comforts, creates social order, and panders to superstition [Grayling] |
| Full Idea: The four standard explanations given for religion are that it provides answer, that it gives comfort, that it makes for social order, and that it rests on mere superstition. | |
| From: A.C. Grayling (What is Good? [2003], Ch.4) | |
| A reaction: All four of these could be correct, though the first and fourth would be incompatible if religion gives correct answers. Why religion begins might be not the same as the reason why it continues. |
| 7817 | To make an afterlife appealing, this life has to be denigrated [Grayling] |
| Full Idea: It is remarkable how much the life of this world has to be denigrated to make the promise of happiness after death appealing. | |
| From: A.C. Grayling (What is Good? [2003], Ch.4) | |
| A reaction: This seems to be true of most religions, but it could be otherwise. Surely you want such a wonderful life to continue after death? But then you would not be obliged to do anything difficult to achieve immortality. Power comes into it... |
| 7818 | In Greek mythology only heroes can go to heaven [Grayling] |
| Full Idea: In Greek mythology only a hero like Hercules could hope to go to heaven (by becoming a god himself). | |
| From: A.C. Grayling (What is Good? [2003], Ch.4) | |
| A reaction: This illustrates Nietsche's 'inversion of morality' most clearly, because Christianity says that the person most likely to go to heaven is the humblest person. |