20 ideas
7990 | Serene wisdom is freedom from ties, and indifference to fortune [Anon (Bhag)] |
Full Idea: Who everywhere is free from all ties, who neither rejoices nor sorrows if fortune is good or is ill, his is a serene wisdom. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 2.57) | |
A reaction: This is very similar to the 'apatheia' of the Stoics, though they are always more committed to rationality. This is quite a good strategy when times are hard, but as a general rule it offers a bogus state of 'wisdom' which is really half way to death. |
7989 | Seek salvation in the wisdom of reason [Anon (Bhag)] |
Full Idea: Seek salvation in the wisdom of reason. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 2.49) | |
A reaction: Quotations like this can usually be counterbalanced in eastern philosophy by wild irrationality, but they certainly felt to tug of reason. Only the Dhaoists seem really opposed to reason (e.g. Idea 7289). |
7996 | I am all the beauty and goodness of things, says Krishna [Anon (Bhag)] |
Full Idea: I am the beauty of all things beautiful; ...I am the goodness of those who are good, says Krishna. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 10.36) | |
A reaction: Another attempt to annexe everything which is admirable to the nature of God. This sounds strikingly Platonic (c.f. Idea 7992, which seems Aristotelian). One scholar dates the text to 150 BCE. I think there is influence, one way or the other. |
2614 | Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer] |
Full Idea: Nowadays phenomenalism is held to be a theory of perception which says that physical objects are logical constructions out of sense-data. | |
From: A.J. Ayer (Phenomenalism [1947], §1) |
2615 | The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer] |
Full Idea: The introduction of the term 'sense-datum' is a means of referring to appearances without prejudging the question of what it is, if anything, that they are appearances of. | |
From: A.J. Ayer (Phenomenalism [1947], §1) |
7995 | In all living beings I am the light of consciousness, says Krishna [Anon (Bhag)] |
Full Idea: In all living beings I am the light of consciousness, says Krishna. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 10.22) | |
A reaction: Everything grand seems to be claimed for God at this stage of culture, but I am not sure how coherent this view is, unless this is pantheism. In what sense could we possibly be Krishna, when none of us (except Arjuna) is aware of it? |
7999 | All actions come from: body, lower self, perception, means of action, or Fate [Anon (Bhag)] |
Full Idea: Whatever a man does, good or bad, in thought, word or deed, has these five sources of action: the body, the lower 'I am', the means of perception, the means of action, and Fate. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 18.14/15) | |
A reaction: The 'means of action' will presumably take care of anything we haven't thought of! Nothing quite matches the idea of 'the will' here. A twitch from the first, eating from the second, a startled jump from the third, struck by lightning from the fifth. |
22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend. | |
From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some') | |
A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio? |
22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity. | |
From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1') | |
A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels. |
22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'. | |
From: Berys Gaut (The Ethical Criticism of Art [1998], n 1) | |
A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve). |
22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people. | |
From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point. |
22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit. | |
From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut. |
22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect. | |
From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited') | |
A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois. |
7991 | Hate and lust have their roots in man's lower nature [Anon (Bhag)] |
Full Idea: Hate and lust for things of nature have their roots in man's lower nature. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 3.34) | |
A reaction: It seems outmoded now (since Freud) to label parts of human nature as 'higher' and 'lower'. I would defend the distinction, but it is not self-evident. The basis of morality is good citizenship, and parts of our nature are detrimental to that. |
7988 | There is no greater good for a warrior than to fight in a just war [Anon (Bhag)] |
Full Idea: There is no greater good for a warrior than to fight in righteous war. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 2.31) | |
A reaction: What worries me now is not the urging to fight, as long as a good cause can be found, but the idea that someone should see his social role as 'warrior'. The modern 'soldier' is ready to fight, but a traditional 'warrior' is obliged to fight. |
7992 | The visible forms of nature are earth, water, fire, air, ether; mind, reason, and the sense of 'I' [Anon (Bhag)] |
Full Idea: The visible forms of nature are eight: earth, water, fire, air, ether; the mind, reason, and the sense of 'I'. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 7.4) | |
A reaction: Presumably there is an implication that there are also invisible forms. The Bhuddists launched an attack on 'I' as one of the categories. The first five appear to be Aristotle's, which must be of scholarly (and chronological) interest. |
7994 | Everything, including the gods, comes from me, says Krishna [Anon (Bhag)] |
Full Idea: All the gods come from me, says Krishna. ...I am the one source of all | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 10.2/8) | |
A reaction: This seems very close to monotheism, and sounds very similar to the position that Zeus seems to occupy in later Greek religion, where he is shading off into a supreme and spiritual entity. |
7993 | Brahman is supreme, Atman his spirit in man, and Karma is the force of creation [Anon (Bhag)] |
Full Idea: Brahman is supreme, the Eternal. Atman is his Spirit in man. Karma is the force of creation, wherefrom all things have their life. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 8.3) | |
A reaction: I can't help wondering how they know all this stuff, but then I'm just a typical product of my culture. We seem to have a trinity here. Who's in charge? Is Atman just a servant? Is Karma totally under the control of Brahman? |
7997 | Only by love can men see me, know me, and come to me, says Krishna [Anon (Bhag)] |
Full Idea: Only by love can men see me, and know me, and come unto me, says Krishna | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 11.54) | |
A reaction: There seems to be a paradox here, as it is unclear how you can love Krishna, if you have not already seen him in some way. This is another paradox of fideism - that faith cannot possibly be the first step in a religion, as faith needs a target. |
7998 | The three gates of hell are lust, anger and greed [Anon (Bhag)] |
Full Idea: Three are the gates of this hell, the death of the soul: the gate of lust, the gate of wrath, and the gate of greed. Let a man shun the three. | |
From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 16.21) | |
A reaction: Anyone who wishes to procreate, champion justice, and make a living, has to pursue all three. Wisdom consists of pursuing the three appropriately, not in shunning them. How did this bizarre puritanism ever come to grip the human race? |