16 ideas
| 23531 | Philosophers should interpret the world, by expressing its possibilities [Berardi] |
| Full Idea: The philosopher's task is to interpret the world, that is, to capture its tendency and above all to enunciate the possibilities inscribed therein. …The politician's eye does not see the possible, being attracted instead by the probable. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], How to) | |
| A reaction: An inspiring idea! He is rejecting Marx's aim of changing the world, which had 'catastrophic' results. But I love his view of interpretation as spotting tendencies and possibilities. This fits my preferred ontology of dispositions and powers. |
| 23538 | Nothingness only exists in consciousness [Berardi] |
| Full Idea: Consciousness is the only place where nothingness exists. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], II 'Expanding') | |
| A reaction: Not sure about this, but an interesting remark from someone with a Hegelian background. We certainly have a concept of nothingness (a mental file of it, even). |
| 2614 | Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer] |
| Full Idea: Nowadays phenomenalism is held to be a theory of perception which says that physical objects are logical constructions out of sense-data. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 2615 | The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer] |
| Full Idea: The introduction of the term 'sense-datum' is a means of referring to appearances without prejudging the question of what it is, if anything, that they are appearances of. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 23532 | The delusion of free will brings a sense of guilt [Berardi] |
| Full Idea: A sense of guilt is linked to the delusion of free will. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], How to) | |
| A reaction: I agree that free will is a delusion, but I'm not sure about this. Clearly if you think you are 'ultimately' responsible for all of your actions this will increase guilt, but belief in free will is compatible with various excuses for actions. |
| 22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
| Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some') | |
| A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio? |
| 22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
| Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1') | |
| A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels. |
| 22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
| Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], n 1) | |
| A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve). |
| 22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
| Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point. |
| 22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
| Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut. |
| 22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
| Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited') | |
| A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois. |
| 23537 | American white men trusted the philosophy of winning, and then discovered losing [Berardi] |
| Full Idea: American white men trusted the promises of neoliberal selfishness, they trusted the philosophy of winning, then discovered losing. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Fascism') | |
| A reaction: The most pernicious terminology in the English-speaking world is the labelling of people as 'winners' and 'losers'. We celebrate the one winner, and ignore everyone else. Celebrity, excessive wealth, honourable titles. |
| 23536 | Community is now a nostalgic memory, which no longer exists [Berardi] |
| Full Idea: Community is only a nostalgic memory of a past condition of belonging that exists no longer. Regret, not a living experience. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Fascism') | |
| A reaction: It is hard to disagree with this. Local heroes in my town make lovely efforts to improve the place (with flowers, sculptures) but most of us don't know who they are. Capitalist competition erodes community. |
| 23534 | Communism failed to unite western workers with the oppressed of the south [Berardi] |
| Full Idea: Communist internationalism was the only attempt to reconcile the workers of the West and the oppressed population of the Global South, and this attempt failed. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Hundred') | |
| A reaction: It was unfortunate that communism was launched in Russia, which we now see (in 2023) as poisoned by imperialist ambitions, and quite unsuited to international idealism. The Chinese are notably active in Africa. |
| 23533 | The economy has replaced medieval theocracy at the centre of our society [Berardi] |
| Full Idea: The economy has progressively acquired the central place in the system of knowledge and research. Re-enacting the privilege of theocracy in the Middle Ages. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Knowledge') | |
| A reaction: Illuminating. This is indeed how the economy is treated, centring on Gross National Product (no matter how distributed), and economic league tables. Is it even a quasi-religion? |
| 23535 | Western workers turn to nationalism, to avert the effects of globalisation [Berardi] |
| Full Idea: Western workers are following nationalist agendas in order to avert the effects of globalization, and resorting to nationalist and racist forms of identification. | |
| From: Franco 'Bifo' Berardi (The Second Coming [2019], I 'Hundred') | |
| A reaction: By 'globalisation' must be meant the impersonal work and exploitation that results from huge ruthless anonymous companies. People barely know who they are working for, so it can't give them an identity. |