17 ideas
| 15163 | The interest of quantified modal logic is its metaphysical necessity and essentialism [Soames] |
| Full Idea: The chief philosophical interest in quantified modal logic lies with metaphysical necessity, essentialism, and the nontrivial modal de re. | |
| From: Scott Soames (Philosophy of Language [2010], 3.1) |
| 15158 | Indefinite descriptions are quantificational in subject position, but not in predicate position [Soames] |
| Full Idea: The indefinite description in 'A man will meet you' is naturally treated as quantificational, but an occurrence in predicative position, in 'Jones is not a philosopher', doesn't have a natural quantificational counterpart. | |
| From: Scott Soames (Philosophy of Language [2010], 1.23) |
| 15157 | Recognising the definite description 'the man' as a quantifier phrase, not a singular term, is a real insight [Soames] |
| Full Idea: Recognising the definite description 'the man' as a quantifier phrase, rather than a singular term, is a real insight. | |
| From: Scott Soames (Philosophy of Language [2010], 1.22) | |
| A reaction: 'Would the man who threw the stone come forward' seems like a different usage from 'would the man in the black hat come forward'. |
| 15156 | The universal and existential quantifiers were chosen to suit mathematics [Soames] |
| Full Idea: Since Frege and Russell were mainly interested in formalizing mathematics, the only quantifiers they needed were the universal and existential one. | |
| From: Scott Soames (Philosophy of Language [2010], 1.22) |
| 15162 | We understand metaphysical necessity intuitively, from ordinary life [Soames] |
| Full Idea: Our understanding of metaphysical necessity is intuitive - drawn from our ordinary thought and talk. | |
| From: Scott Soames (Philosophy of Language [2010], 3.1) | |
| A reaction: This, of course, is a good reason for analytic philosophers to dislike metaphysical necessity. |
| 15161 | There are more metaphysically than logically necessary truths [Soames] |
| Full Idea: The set of metaphysically necessary truths is larger than the set of logically necessary truths. | |
| From: Scott Soames (Philosophy of Language [2010], 3.1) | |
| A reaction: Likewise, the set of logically possible truths is much larger than the set of metaphysically possible truths. If a truth is logically necessary, it will clearly be metaphysically necessary. Er, unless it is necessitated by daft logic... |
| 2614 | Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer] |
| Full Idea: Nowadays phenomenalism is held to be a theory of perception which says that physical objects are logical constructions out of sense-data. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 2615 | The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer] |
| Full Idea: The introduction of the term 'sense-datum' is a means of referring to appearances without prejudging the question of what it is, if anything, that they are appearances of. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 15152 | To study meaning, study truth conditions, on the basis of syntax, and representation by the parts [Soames] |
| Full Idea: The systematic study of meaning requires a framework for specifying the truth conditions of sentences on the basis of their syntactic structure, and the representational contents of their parts. | |
| From: Scott Soames (Philosophy of Language [2010], Intro) | |
| A reaction: Soames presents this as common sense, on the first page of his book, and it is hard to disagree. Representation will shade off into studying the workings of the mind. Fodor seems a good person to start with. |
| 15153 | Tarski's account of truth-conditions is too weak to determine meanings [Soames] |
| Full Idea: The truth conditions provided by Tarski's theories (based on references of subsentential constituents) are too weak to determine meanings, because they lacked context-sensitivity and various forms of intensionality. | |
| From: Scott Soames (Philosophy of Language [2010], Intro) | |
| A reaction: Interesting. This suggests that stronger modern axiomatic theories of truth might give a sufficient basis for a truth conditions theory of meaning. Soames says possible worlds semantics was an attempt to improve things. |
| 15154 | We should use cognitive states to explain representational propositions, not vice versa [Soames] |
| Full Idea: Instead of explaining the representationality of sentences and cognitive states in terms of propositions, we must explain the representationality of propositions in terms of the representationality of the relevant cognitive states. | |
| From: Scott Soames (Philosophy of Language [2010], Intro) | |
| A reaction: Music to my ears. I am bewildered by this Russellian notion of a 'proposition' as some abstract entity floating around in the world waiting to be expressed. The vaguer word 'facts' (and false facts?) will cover that. It's Frege's fault. |
| 22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
| Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some') | |
| A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio? |
| 22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
| Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1') | |
| A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels. |
| 22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
| Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], n 1) | |
| A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve). |
| 22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
| Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point. |
| 22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
| Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut. |
| 22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
| Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited') | |
| A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois. |