5 ideas
| 2614 | Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer] |
| Full Idea: Nowadays phenomenalism is held to be a theory of perception which says that physical objects are logical constructions out of sense-data. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 2615 | The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer] |
| Full Idea: The introduction of the term 'sense-datum' is a means of referring to appearances without prejudging the question of what it is, if anything, that they are appearances of. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 20076 | An intending is a judgement that the action is desirable [Davidson] |
| Full Idea: We can identify an intentional action ...with an all-out conditional judgement that the action is desirable. ...In the case of pure intending, I now suggest that the intention simply is an all-out judgement. | |
| From: Donald Davidson (Intending [1978], p.99), quoted by Rowland Stout - Action 8 'Davidson's' | |
| A reaction: 'Pure' intending seems to be what Stout calls 'prior' intending, which is clearer. This still strikes me as obviously false. I judge that it is desirable that I make a cup of coffee, but secretly I'm hoping someone else will make it for me. |
| 20024 | Davidson gave up reductive accounts of intention, and said it was a primitive [Davidson, by Wilson/Schpall] |
| Full Idea: Later Davidson dropped his reductive treatment of intentions (in terms of 'pro-attitudes' and other beliefs), and accepted that intentions are irreducible, and distinct from pro-attitudes. | |
| From: report of Donald Davidson (Intending [1978]) by Wilson,G/Schpall,S - Action 2 | |
| A reaction: Only a philosopher would say that intentions cannot be reduced to something else. Since I have a very physicalist view of the mind, I incline to reduce them to powers and dispositions of physical matter. |
| 20344 | Music is not an expressive art, because it expresses no familiar emotions [Hanslick, by Wollheim] |
| Full Idea: Hanslick concluded from the fact that music doesn't express definite feelings like piety, love, joy, or sadness, that it isn't an art of expression. | |
| From: report of Eduard Hanslick (The Beautiful in Music [1854]) by Richard Wollheim - Art and Its Objects 48 | |
| A reaction: Whether music is 'expressive' (which it may not be) should not be confused with whether it is emotional, which it clearly is, even in its coolest examples. Hanslick viewed music as a code, not a language. |