4 ideas
| 2614 | Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer] |
| Full Idea: Nowadays phenomenalism is held to be a theory of perception which says that physical objects are logical constructions out of sense-data. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 2615 | The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer] |
| Full Idea: The introduction of the term 'sense-datum' is a means of referring to appearances without prejudging the question of what it is, if anything, that they are appearances of. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 3449 | If parallelism is true, how does the mind know about the body? [Crease] |
| Full Idea: In parallelism, the idea that we have a body is like an astronaut hearing shouting on the moon, and reasoning that as this is impossible he must be simultaneously imagining shouting AND there is real shouting taking place! | |
| From: Jason Crease (works [2001]), quoted by PG - Db (ideas) | |
| A reaction: This seems to capture the absurdity of Leibniz's proposal. I experience what my brain is doing, but not because my brain is doing it. I would never know if God had made a slight error in setting His two 'clocks'; their accuracy is just a pious hope. |
| 20329 | A work of art is an artifact created for the artworld [Dickie] |
| Full Idea: A work of art is an artifact of a kind created to be presented to an artworld public. | |
| From: George Dickie (The New Institutional Theory of Art [1983], p.53) | |
| A reaction: This is the culminating definition in his paper, deriving originally from Danto, and an improvement of his earlier more complex definition. Since this definition amounts to 'this is art if I say it is art', it doesn't seem to reveal much. |