9 ideas
| 10365 | We might use 'facta' to refer to the truth-makers for facts [Mellor, by Schaffer,J] |
| Full Idea: Mellor offers a distinction between 'facts' and 'facta' (the latter being the truth-makers for facts). | |
| From: report of D.H. Mellor (The Facts of Causation [1995]) by Jonathan Schaffer - The Metaphysics of Causation 1.1 | |
| A reaction: The idea is that 'facta' can do the work in causation, because 'facts' are not part of the world. This seems a very helpful terminology, which should be encouraged, since 'fact' is plainly ambiguous in current usage. |
| 2614 | Modern phenomenalism holds that objects are logical constructions out of sense-data [Ayer] |
| Full Idea: Nowadays phenomenalism is held to be a theory of perception which says that physical objects are logical constructions out of sense-data. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 2615 | The concept of sense-data allows us to discuss appearances without worrying about reality [Ayer] |
| Full Idea: The introduction of the term 'sense-datum' is a means of referring to appearances without prejudging the question of what it is, if anything, that they are appearances of. | |
| From: A.J. Ayer (Phenomenalism [1947], §1) |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 4785 | Causal statements relate facts (which are whatever true propositions express) [Mellor, by Psillos] |
| Full Idea: Mellor argues that causal statements relate facts, where facts may be seen as whatever true propositions express. | |
| From: report of D.H. Mellor (The Facts of Causation [1995]) by Stathis Psillos - Causation and Explanation §2.6 | |
| A reaction: Choose between 'facts', 'objects', 'conserved quantities, 'events' (the usual one) or 'processes'. I rather like processes (Salmon) as they are a better prospect as the building blocks of an ontology. |
| 8408 | Probabilistic causation says C is a cause of E if it increases the chances of E occurring [Mellor, by Tooley] |
| Full Idea: The basic idea of probabilistic causation is that a sufficient condition of C's being a cause of E is that C and E are actual, individual events, and the objective chance of E's occurring is greater given the occurrence of C than it would be without C. | |
| From: report of D.H. Mellor (The Facts of Causation [1995]) by Michael Tooley - Causation and Supervenience 5.3 | |
| A reaction: Mellor has to include objective 'chances' in his ontology to support his theory. As it stands this looks like a weak theory, since the event might not occur despite C happening, and some less likely event might turn out to be the actual cause. |