9 ideas
| 21959 | Metaphysics is the most general attempt to make sense of things [Moore,AW] |
| Full Idea: Metaphysics is the most general attempt to make sense of things. | |
| From: A.W. Moore (The Evolution of Modern Metaphysics [2012], Intro) | |
| A reaction: This is the first sentence of Moore's book, and a touchstone idea all the way through. It stands up well, because it says enough without committing to too much. I have to agree with it. It implies explanation as the key. I like generality too. |
| 21958 | Appearances are nothing beyond representations, which is transcendental ideality [Moore,AW] |
| Full Idea: Appearances in general are nothing outside our representations, which is just what we mean by transcendental ideality. | |
| From: A.W. Moore (The Evolution of Modern Metaphysics [2012], B535/A507) |
| 22593 | Our sensation of light may not be the same as what produces the sensation [Descartes] |
| Full Idea: There can be a difference between our sensation of light and what is in the objects that produce that sensation in us. | |
| From: René Descartes (The World [1631]), quoted by Ian Dunt - How to be a Liberal 1 | |
| A reaction: Note only that they 'may' differ, and that he does not assert that they are entirely different. Secondary qualities give information, and are not just mental events. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 16569 | The Hot, Cold, Wet and Dry of the philosophers need themselves to be explained [Descartes] |
| Full Idea: If you find it strange that in explaining these elements I do not use the qualities called Hot, Cold, Wet and Dry - as the philosophers do - I shall say to you that these qualities themselves seem to me to need explanation. | |
| From: René Descartes (The World [1631], 9:25-6), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 1.3 | |
| A reaction: Nice. I take pushing the boundaries of explanation back (or down) to be the basic driving force of all human thought, in metaphysics as well as in physics. |
| 20964 | Descartes said there was conservation of 'quantity of motion' [Descartes, by Papineau] |
| Full Idea: Descartes incorporated the conservation of what he called 'quantity of motion', by which he meant mass times speed. | |
| From: report of René Descartes (The World [1631]) by David Papineau - Thinking about Consciousness App 2 | |
| A reaction: Mass times velocity is now called 'momentum'. Is this the first ever conservation law? There are now lots of them. |