Combining Texts

All the ideas for 'The Evolution of Modern Metaphysics', 'Remembrance of Things Past' and 'The Essence of Aesthetic'

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4 ideas

1. Philosophy / E. Nature of Metaphysics / 1. Nature of Metaphysics
21959 Metaphysics is the most general attempt to make sense of things [Moore,AW]
     Full Idea: Metaphysics is the most general attempt to make sense of things.
     From: A.W. Moore (The Evolution of Modern Metaphysics [2012], Intro)
     A reaction: This is the first sentence of Moore's book, and a touchstone idea all the way through. It stands up well, because it says enough without committing to too much. I have to agree with it. It implies explanation as the key. I like generality too.
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
21958 Appearances are nothing beyond representations, which is transcendental ideality [Moore,AW]
     Full Idea: Appearances in general are nothing outside our representations, which is just what we mean by transcendental ideality.
     From: A.W. Moore (The Evolution of Modern Metaphysics [2012], B535/A507)
18. Thought / B. Mechanics of Thought / 3. Modularity of Mind
7845 When we need to do something, we depute an inner servant to remind us of it [Proust]
     Full Idea: Whenever we have something definite to do at a given moment, we depute a certain person inside us who is accustomed to that sort of duty to keep an eye on the clock and warn us of the time. This inner servant reminded me that Albertine was coming soon.
     From: Marcel Proust (Remembrance of Things Past [1922], Cities.2.1)
     A reaction: I think Proust is wrong that we 'depute' this servant. I think it comes as a built-in feature, and the servant could never be abandoned or sacked, no matter how poor the service. Each of us is a team, which includes servants.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20422 The experience of expression and communication are intermingled in art [Croce]
     Full Idea: It is very difficult to perceive the frontier between expression and communication in actual fact, for the two processes usually alternate rapidly and are almost intermingled.
     From: Benedetto Croce (The Essence of Aesthetic [1912]), quoted by Gary Kemp - Croce and Collingwood
     A reaction: [text unsure] I think he is getting at seeing the painting (or whatever) as a physical object, and seeing it as the experience which results from the object. The alternation of the objective and subjective views. Reminds me of Thomas Nagel.