4 ideas
21959 | Metaphysics is the most general attempt to make sense of things [Moore,AW] |
Full Idea: Metaphysics is the most general attempt to make sense of things. | |
From: A.W. Moore (The Evolution of Modern Metaphysics [2012], Intro) | |
A reaction: This is the first sentence of Moore's book, and a touchstone idea all the way through. It stands up well, because it says enough without committing to too much. I have to agree with it. It implies explanation as the key. I like generality too. |
16705 | Whiteness isn't created in an alteration, because it is just this-being-white [Oresme] |
Full Idea: If it is said that whiteness begins to be through alteration, this does not hold, because whiteness is nothing other than this-being-white. | |
From: Nicole Oresme (On 'Generation and Corruption' [1349], I.2), quoted by Robert Pasnau - Metaphysical Themes 1274-1671 19.3 | |
A reaction: This innocent-looking remark is dynamite, because it rejects the separability of qualities, which threatens the doctrine of Transubstantiation. |
21958 | Appearances are nothing beyond representations, which is transcendental ideality [Moore,AW] |
Full Idea: Appearances in general are nothing outside our representations, which is just what we mean by transcendental ideality. | |
From: A.W. Moore (The Evolution of Modern Metaphysics [2012], B535/A507) |
18665 | Moral problems are responsibility conflicts, needing contextual and narrative attention to relationships [Gilligan] |
Full Idea: The moral problem arises from conflicting responsibilities rather than competing rights, and its resolution needs contextual and narrative thinking. This morality as care centers around the understanding of responsibility and relationships. | |
From: Carol Gilligan (In a Different Voice [1982], p.19), quoted by Will Kymlicka - Contemporary Political Philosophy (1st edn) | |
A reaction: [Kymlicka cites her as a key voice in feminist moral philosophy] I like all of this, especially the very original thought (to me, anyway) that moral thinking should be 'narrative' in character. |