12 ideas
| 9198 | It is no longer possible to be a sage, but we can practice the exercise of wisdom [Hadot] |
| Full Idea: Personally I firmly believe, perhaps naively, that it is possible for modern man to live, not as a sage (sophos) - most of the ancients did not hold this to be possible - but as a practitioner of the ever-fragile exercise of wisdom. | |
| From: Pierre Hadot (Philosophy as a way of life [1987], 7) | |
| A reaction: It seems to me quite plausible that the philosophical life might yet become a widespread ideal, even though philosophers seem to still be sheltering from storms two thousand years after Plato gave us that image. |
| 9197 | The logos represents a demand for universal rationality [Hadot] |
| Full Idea: The logos represents a demand for universal rationality. | |
| From: Pierre Hadot (Philosophy as a way of life [1987], 3.3) | |
| A reaction: That is at one end of the spectrum. At the other, in parts of 'Theaetetus', it is just a polite request to be given a few reasons, instead of a splattering of hopes and prejudices. |
| 5987 | Alcmaeon was the first to say the brain is central to thinking [Alcmaeon, by Staden, von] |
| Full Idea: Alcmaeon apparently was the first Greek to assign central cognitive and biological functions to the brain. | |
| From: report of Alcmaeon (fragments/reports [c.490 BCE]) by Heinrich von Staden - Alcmaeon | |
| A reaction: The name of Alcmaeon should be remembered with honour. This was 200 years before Aristotle, who still hadn't worked it out. I presume Alcmaeon inferred the truth from head injuries, which is overwhelming evidence, if you notice it. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 9196 | The pleasure of existing is the only genuine pleasure [Hadot] |
| Full Idea: For epicureans, the only genuine pleasure there is is the pleasure of existing. | |
| From: Pierre Hadot (Philosophy as a way of life [1987], 3.1) | |
| A reaction: I don't know Hadot's source for this claim, but it is a nice idea, which I shall endeavour to incorporate into my own attitude to daily living. I'm not quite clear, though, why the pleasure of music is not a 'genuine' one. |
| 24043 | Soul must be immortal, since it continually moves, like the heavens [Alcmaeon, by Aristotle] |
| Full Idea: Alcmaeon says that the soul is immortal because it resembles immortal things and that this affection belongs to it because it is always in movement, like divine things, such the moon, the sun, the stars and the whole heaven. | |
| From: report of Alcmaeon (fragments/reports [c.490 BCE], DK 24) by Aristotle - De Anima 405a30 | |
| A reaction: Hm. Fish and rivers seem to be continually moving too. Presumably we are like gods, but then Greek gods seem awfully like humans. I don't know the history of belief in immortality; an interesting topic. |