11 ideas
| 15938 | Platonists ruin infinity, which is precisely a growing structure which is never completed [Dummett] |
| Full Idea: The platonist destroys the whole essence of infinity, which lies in the conception of a structure which is always in growth, precisely because the process of construction is never completed. | |
| From: Michael Dummett (Elements of Intuitionism [1977], p.57), quoted by Thomas J. McKay - Plural Predication | |
| A reaction: I don't warm to intuitionism, but I warm to this conception of infinity. Completed infinities are convenient reifications for mathematicians. |
| 15939 | For intuitionists it is constructed proofs (which take time) which make statements true [Dummett] |
| Full Idea: For an intuitionist a mathematical statement is rendered true or false by a proof or disproof, that is, by a construction, and constructions are effected in time. | |
| From: Michael Dummett (Elements of Intuitionism [1977], p.336), quoted by Shaughan Lavine - Understanding the Infinite VI.2 | |
| A reaction: Lavine is quoting this to draw attention to the difficulties of thinking of it as all taking place 'in time', especially when dealing with infinities. |
| 6871 | We can't only believe things if we are currently conscious of their justification - there are too many [Goldman] |
| Full Idea: Strong internalism says only current conscious states can justify beliefs, but this has the problem of Stored Beliefs, that most of our beliefs are stored in memory, and one's conscious state includes nothing that justifies them. | |
| From: Alvin I. Goldman (Internalism Exposed [1999], §2) | |
| A reaction: This point seems obviously correct, but one could still have a 'fairly strong' version, which required that you could always call into consciousness the justificiation for any belief that you happened to remember. |
| 6872 | Internalism must cover Forgotten Evidence, which is no longer retrievable from memory [Goldman] |
| Full Idea: Even weak internalism has the problem of Forgotten Evidence; the agent once had adequate evidence that she subsequently forgot; at the time of epistemic appraisal, she no longer has adequate evidence that is retrievable from memory. | |
| From: Alvin I. Goldman (Internalism Exposed [1999], §3) | |
| A reaction: This is certainly a basic problem for any account of justification. It will rule out any strict requirement that there be actual mental states available to support a belief. Internalism may be pushed to include non-conscious parts of the mind. |
| 6874 | Internal justification needs both mental stability and time to compute coherence [Goldman] |
| Full Idea: The problem for internalists of Doxastic Decision Interval says internal justification must avoid mental change to preserve the justification status, but must also allow enough time to compute the formal relations between beliefs. | |
| From: Alvin I. Goldman (Internalism Exposed [1999], §4) | |
| A reaction: The word 'compute' implies a rather odd model of assessing coherence, which seems instantaneous for most of us where everyday beliefs are concerned. In real mental life this does not strike me as a problem. |
| 6873 | Coherent justification seems to require retrieving all our beliefs simultaneously [Goldman] |
| Full Idea: The problem of Concurrent Retrieval is a problem for internalism, notably coherentism, because an agent could ascertain coherence of her entire corpus only by concurrently retrieving all of her stored beliefs. | |
| From: Alvin I. Goldman (Internalism Exposed [1999], §3) | |
| A reaction: Sounds neat, but not very convincing. Goldman is relying on scepticism about short-term memory, but all belief and knowledge will collapse if we go down that road. We couldn't do simple arithmetic if Goldman's point were right. |
| 6875 | Reliability involves truth, and truth is external [Goldman] |
| Full Idea: Reliability involves truth, and truth (on the usual assumption) is external. | |
| From: Alvin I. Goldman (Internalism Exposed [1999], §6) | |
| A reaction: As an argument for externalism this seems bogus. I am not sure that truth is either 'internal' or 'external'. How could the truth of 3+2=5 be external? Facts are mostly external, but I take truth to be a relation between internal and external. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |