Combining Texts

All the ideas for 'The Nature of Necessity', 'Against the Physicists (two books)' and 'An Essay in Aesthetics'

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34 ideas

9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
Parts are not parts if their whole is nothing more than the parts [Sext.Empiricus]
     Full Idea: If the whole is nothing more than the sum of the parts, the parts will not be parts.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.343)
     A reaction: Nice. Bricks lying on the ground are not parts of a wall. For them to be parts of a wall there has to be a wall which is not just the bricks. Nihilists like Van Inwagen can deny the wall in ontology, but in thought we need walls. Conceptual dependence.
10. Modality / E. Possible worlds / 1. Possible Worlds / d. Possible worlds actualism
Plantinga says there is just this world, with possibilities expressed in propositions [Plantinga, by Armstrong]
     Full Idea: Plantinga rejects other possible worlds, but adds to our world an uncountable multitude of sets of propositions, each set a way that the world might have been, but is in fact not. (Roughly, for each Lewis world, Plantinga has such a set).
     From: report of Alvin Plantinga (The Nature of Necessity [1974]) by David M. Armstrong - Truth and Truthmakers 07.2
     A reaction: To me it seems as ontologically extravagant to postulate unexpressed propositions as to postulate concrete possible worlds. I think the best line is that there is just the actual world, with the possibilities implied in its dispositions.
10. Modality / E. Possible worlds / 3. Transworld Objects / b. Rigid designation
Possibilities for an individual can only refer to that individual, in some possible world [Plantinga, by Mackie,P]
     Full Idea: Plantinga says for an individual to exist with certain properties in some possible world is simply for it to be true that, had that possible world obtained, that individual would have existed with those properties.
     From: report of Alvin Plantinga (The Nature of Necessity [1974]) by Penelope Mackie - How Things Might Have Been 5.1
     A reaction: This is intended to dissolve the problem of transworld identity, and is certainly a flat rejection of counterparts. I take the point to be that the individual is the key element in defining the possible world, so can't possibly be different.
12. Knowledge Sources / C. Rationalism / 1. Rationalism
Some say motion is perceived by sense, but others say it is by intellect [Sext.Empiricus]
     Full Idea: Some assert that motion is perceived by sense, but others that it is not perceived at all by sense but by the intellect through sensation.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], II.062)
     A reaction: Descartes' wax argument defends the idea that change is perceived by intellect. The intellect has to distinguish the relative aspect of each motion, such as when someone is walking around on a moving ship. Even sense also need memory.
15. Nature of Minds / C. Capacities of Minds / 6. Idealisation
If we try to conceive of a line with no breadth, it ceases to exist, and so has no length [Sext.Empiricus]
     Full Idea: When we have gone so far as to deprive the length of its breadth altogether, we no longer conceive even the length, but along with the removal of the breadth the conception of the length is also removed.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.392)
     A reaction: The only explanation of our retaining an understanding of a line even after we have removed its breadth is that we have abandoned experience and conceptualised the line - by idealising it.
16. Persons / C. Self-Awareness / 3. Limits of Introspection
Most of us are too close to our own motives to understand them [Fry]
     Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible.
     From: Roger Fry (An Essay in Aesthetics [1909], p.30)
     A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well.
17. Mind and Body / D. Property Dualism / 4. Emergentism
The incorporeal is not in the nature of body, and so could not emerge from it [Sext.Empiricus]
     Full Idea: The incorporeal will never come into existence from body because the nature of the incorporeal does not exist in body.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.225)
     A reaction: So nothing high could be made of pebbles because pebbles are not high? His argument depends on incorporeality having an intrinsically incorporeal nature. Pebbles have some height which can be extended.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry]
     Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception
     From: Roger Fry (An Essay in Aesthetics [1909], p.24)
     A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy.
Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry]
     Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude.
21. Aesthetics / A. Aesthetic Experience / 4. Beauty
'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry]
     Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'.
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry]
     Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts.
     From: Roger Fry (An Essay in Aesthetics [1909], p.31)
     A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I.
21. Aesthetics / B. Nature of Art / 2. Art as Form
Art needs a mixture of order and variety in its sensations [Fry]
     Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated.
     From: Roger Fry (An Essay in Aesthetics [1909], p.32)
     A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher?
21. Aesthetics / B. Nature of Art / 3. Art as Imitation
If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry]
     Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people.
     From: Roger Fry (An Essay in Aesthetics [1909], p.23)
     A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs?
Popular opinion favours realism, yet most people never look closely at anything! [Fry]
     Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly.
     From: Roger Fry (An Essay in Aesthetics [1909], p.29)
     A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry]
     Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience.
     From: Roger Fry (An Essay in Aesthetics [1909], p.33)
     A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'.
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry]
     Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious.
     From: Roger Fry (An Essay in Aesthetics [1909], p.25)
     A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
For pure moralists art must promote right action, and not just be harmless [Fry]
     Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful.
     From: Roger Fry (An Essay in Aesthetics [1909], p.26)
     A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection.
27. Natural Reality / A. Classical Physics / 1. Mechanics / a. Explaining movement
A man walking backwards on a forwards-moving ship is moving in a fixed place [Sext.Empiricus]
     Full Idea: If a ship moves forward and a man carries a rod backwards on it, then it is possible for an object to move without quitting its place.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], II.056)
     A reaction: [summary of a verbose paragraph] The point is that you cannot define movement as change of place (contrary to Russell's proposal!). The concept of a place seems to be relative. Walking on a treadmill.
27. Natural Reality / D. Time / 2. Passage of Time / c. Tenses and time
Time doesn't end with the Universe, because tensed statements about destruction remain true [Sext.Empiricus]
     Full Idea: It is absurd to say that when the Universe is destroyed time does not exist; for the statement that it was destroyed once and that it is being destroyed are indicative of times.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], II.188)
     A reaction: Intriguing. He takes it that a proposition can be true even though nothing exists. This is not merely an affirmation of the tensed A-series view of time, but he even offers tenses as evidence that the A-series is correct. That time could cease was a view.
27. Natural Reality / D. Time / 3. Parts of Time / c. Intervals
Time is divisible, into past, present and future [Sext.Empiricus]
     Full Idea: Time cannot be indivisible, since it is divided into past, present and future.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], II.193)
     A reaction: Does the fact that you can name the parts of something prove that it is divisible? Do electrons have left and right-hand sides?
27. Natural Reality / D. Time / 3. Parts of Time / e. Present moment
Socrates either dies when he exists (before his death) or when he doesn't (after his death) [Sext.Empiricus]
     Full Idea: Socrates either dies when existing, or when not existing. …He does not die when he exists, for he is alive, and he does not die when he has died, for then he will be dying twice, which is absurd. So then, Socrates does not die.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.269)
     A reaction: A nice dramatisation of a major dilemma. The present moment is just the boundary between the past and the future, and so has no magnitude, and hence nothing can occur during the present. Perhaps my favourite philosophical dilemma.
If the present is just the limit of the past or the future, it can't exist because they don't exist [Sext.Empiricus]
     Full Idea: If the present is the limit of the past, and the limit of the past has passed away together with that of which it is the limit, the present no longer exists. And if the present begins the future, which doesn't exist, the present does not yet exist.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], II.201)
     A reaction: If I mark a line on the ground where the wall will begin, the limit seems prior to the object. The gun starts the race, but is not part of it. That said, I cannot think of any more mysterious entity than the present moment. It isn't a line or a bang.
28. God / A. Divine Nature / 2. Divine Nature
All men agree that God is blessed, imperishable, happy and good [Sext.Empiricus]
     Full Idea: All men have one common preconception about God, according to which he is a blessed creature and imperishable and perfect in happiness and receptive of nothing evil.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.033)
     A reaction: He observes this after he has pointed the enormous variety of religious beliefs. He offers this unanimity as a reason to believe that it is true.
God must suffer to understand suffering [Sext.Empiricus]
     Full Idea: God cannot have a notion of suffering if he has not experience it.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.163)
     A reaction: Christians like to portray God as suffering because of his son's horrible death. We can imagine experiences we have never had, and presumably God is better at that than we are.
28. God / A. Divine Nature / 3. Divine Perfections
The Divine must lack the virtues of continence and fortitude, because they are not needed [Sext.Empiricus]
     Full Idea: If the Divine is all-virtuous, it possesses all the virtues. But it does not possess the virtues of continence and fortitude unless there are certain things which are hard for God to abstain from and hard to endure.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.151)
     A reaction: Courage would also be unnecessary, we assume. Good people are not tempted to steal, and hence do not need to resist it. It is a mistake to attribute human virtues to the Divine. Humans lack the virtues of a good frog.
28. God / B. Proving God / 1. Proof of God
God is defended by agreement, order, absurdity of denying God, and refutations [Sext.Empiricus]
     Full Idea: Arguments for God have four modes: from universal agreement, from the orderly arrangement of the universe, from the absurd consequences of denying God, and from undermining the opposing arguments.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.060)
     A reaction: [compressed] The loss of status of the argument from universal agreement has had a huge influence. We now realise that a very wide consensus is no guarantee of truth in anything.
28. God / B. Proving God / 2. Proofs of Reason / a. Ontological Proof
A possible world contains a being of maximal greatness - which is existence in all worlds [Plantinga, by Davies,B]
     Full Idea: Plantinga reformulates Malcolm's argument thus: 1) There is a possible world in which there exists a being with maximal greatness, 2) A being has maximal greatness in a world only if it exists in every world.
     From: report of Alvin Plantinga (The Nature of Necessity [1974], p.213) by Brian Davies - Introduction to the Philosophy of Religion 4 'b Descartes'
     A reaction: This is only Plantinga's starting point, which says nothing about the nature of God, but only that this 'great' being exists in all worlds. I would like to know why it is a 'being' rather than a 'thing'. Malcolm says if it is possible it is necessary.
28. God / B. Proving God / 2. Proofs of Reason / b. Ontological Proof critique
God's sensations imply change, and hence perishing, which is absurd, so there is no such God [Sext.Empiricus]
     Full Idea: If God has sensation he is altered, …so he is receptive of change, including change for the worse. If so, he is also perishable, but that is absurd; therefore it is absurd also to claim that God exists.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.146)
     A reaction: [compressed] It is certainly paradoxical to think that God is eternal and unchanging, but also capable of perception and thought, which necessitate change. Some theological ingenuity is needed to explain this.
God without virtue is absurd, but God's virtues will be better than God [Sext.Empiricus]
     Full Idea: If the Divine exists it either has or has not virtue. If it has not it is base and unhappy, which is absurd. But if it has it, there will exist something which is better than God, just as a virtue of a horse is better than the horse itself.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.176)
     A reaction: It is obviously better to think of a virtue as some mode of a thing, rather than as a separate attachment. This is an ontological argument, because it is inferred from the concept of God.
28. God / B. Proving God / 3. Proofs of Evidence / b. Teleological Proof
The original substance lacked motion or shape, and was given these by a cause [Sext.Empiricus]
     Full Idea: They say that the substance of existing things being of itself motionless and shapeless must be put in motion and shape by some cause.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.075)
     A reaction: Interestingly, Sextus doesn't seem to think that the existence of the original substance also needs a cause. This substance sounds like a relative of Aristotle's Prime Matter. The source of motion isn't really a 'design' argument.
28. God / C. Attitudes to God / 4. God Reflects Humanity
The perfections of God were extrapolations from mankind [Sext.Empiricus]
     Full Idea: It is said that …the idea that God is eternal and imperishable and perfect in happiness was introduced by way of transference from mankind.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.045)
     A reaction: This view is found in Hume, and in Feuerbach. I presume 'transference' means extrapolation and idealisation. If God exists, we may have no option but to think of God anthropomorphically.
28. God / C. Attitudes to God / 5. Atheism
Gods were invented as watchers of people's secret actions [Sext.Empiricus]
     Full Idea: It is asserted that those who first led mankind …invented gods as watchers of all the sinful and righteous acts of men, so that none should dare to do wrong even in secret.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.016)
     A reaction: Sextus is a sceptic about everything, so this scepticism about the gods is nothing special. I'm not sure if this is why the gods were invented, but it seems to be the main role assigned to God by the Christian church, as the basis of religious morality.
An incorporeal God could do nothing, and a bodily god would perish, so there is no God [Sext.Empiricus]
     Full Idea: The Divine is not incorporeal, since that is inanimate and insensitive and incapable of any action; nor is it a body, since that is subject to change and perishable; so the Divine does not exist.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.151)
     A reaction: I find this quite persuasive. An incorporeal God has to be ascribed magical powers in order to interact with what is corporeal. A corporeal God is subject to entropy and all the depredations of the physical world.
29. Religion / A. Polytheistic Religion / 1. Animism
It is mad to think that what is useful to us, like lakes and rivers, are gods [Sext.Empiricus]
     Full Idea: To suppose that lakes and rivers, and whatsoever else is of a nature to be useful to us, are gods surpasses the height of lunacy.
     From: Sextus Empiricus (Against the Physicists (two books) [c.180], I.040)
     A reaction: He also points out the what is useful to us decays and changes. Sextus lived in a time when monotheism was becoming dominant.