Combining Texts

All the ideas for 'German Philosophy: a very short introduction', 'Ethical Criticism and the Vice of Moderation' and 'The Mind in Nature'

unexpand these ideas     |    start again     |     specify just one area for these texts


40 ideas

1. Philosophy / D. Nature of Philosophy / 8. Humour
Jokes can sometimes be funny because they are offensive [Jacobson,D]
     Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove.
1. Philosophy / E. Nature of Metaphysics / 4. Metaphysics as Science
Ontology is highly abstract physics, containing placeholders and exclusions [Martin,CB]
     Full Idea: Ontology sets out an even more abstract model of how the world is than theoretical physics, a model that has placeholders for scientific results and excluders for tempting confusions.
     From: C.B. Martin (The Mind in Nature [2008], 04.6)
     A reaction: Most modern metaphysicians accept this account. The interesting (mildly!) question is whether physicists will accept it. If the metaphysics is really rooted in physics, a metaphysical physicist is better placed than a metaphysician knowing some physics.
3. Truth / A. Truth Problems / 1. Truth
Truth is a relation between a representation ('bearer') and part of the world ('truthmaker') [Martin,CB]
     Full Idea: Truth is a relation between two things - a representation (the truth 'bearer') and the world or some part of it (the 'truthmaker').
     From: C.B. Martin (The Mind in Nature [2008], 03.1)
     A reaction: That truth is about representations seems to me to be exactly right. That it is about truthmakers is more controversial. There are well known problems with negative truths, general truths, future truths etc. I'm happy with 'facts'.
8. Modes of Existence / B. Properties / 9. Qualities
A property is a combination of a disposition and a quality [Martin,CB]
     Full Idea: I take properties to have a dual nature; in virtue of possessing a property, an object possesses both a particular dispositionality and a particular qualitative character.
     From: C.B. Martin (The Mind in Nature [2008], 04.6)
     A reaction: That leaves you with the question of the relationship between the disposition and the quality. I say you must choose, and I choose the disposition. Qualities (which are partly subjective, obviously) arise from fundamental dispositions.
8. Modes of Existence / B. Properties / 11. Properties as Sets
Properties are the respects in which objects resemble, which places them in classes [Martin,CB]
     Full Idea: If objects belong to classes in virtue of resemblances they bear to one another, they resemble one another in virtue of their properties. Objects resemble in some way or respect, and you could think of these ways or respects as 'properties'.
     From: C.B. Martin (The Mind in Nature [2008], 04.6)
     A reaction: If you pare the universe down to one object with five distinct properties, they resemble nothing, and fail this definition. Resemblance seems like the epistemology, not the ontology.
8. Modes of Existence / B. Properties / 13. Tropes / a. Nature of tropes
Properties are ways particular things are, and so they are tied to the identity of their possessor [Martin,CB]
     Full Idea: The redness or sphericity of this tomato cannot migrate to another tomato. This is a consequence of the idea that properties are particular ways things are. The identity of a property is bound up with the identity of its possessor.
     From: C.B. Martin (The Mind in Nature [2008], 04.6)
     A reaction: This is part of his declaration that he believes in tropes. At the very least, properties can be thought of separately, and have second-order properties that don't seem tied to the particulars.
8. Modes of Existence / B. Properties / 13. Tropes / b. Critique of tropes
Objects are not bundles of tropes (which are ways things are, not parts of things) [Martin,CB]
     Full Idea: The bundle theory for tropes treats properties inappositely as parts of objects. Objects can have parts, but an object's properties are not its parts, they are particular ways the object is.
     From: C.B. Martin (The Mind in Nature [2008], 04.6)
     A reaction: The 'way an object is' seems a very vague concept. Most things that get labelled as tropes are actually highly complex. Without mention of causal powers I think these discussions drift in a muddle.
8. Modes of Existence / C. Powers and Dispositions / 1. Powers
A property that cannot interact is worse than inert - it isn't there at all [Martin,CB]
     Full Idea: A property that is intrinsically incapable of affecting or being affected by anything else, actual or possible, is not merely a case of inertness - it amounts to a no-thing.
     From: C.B. Martin (The Mind in Nature [2008], 06.6)
     A reaction: In the end Martin rejects Shoemaker's purely causal account of properties, but he clearly understands Shoemaker's point well.
8. Modes of Existence / C. Powers and Dispositions / 2. Powers as Basic
If unmanifested partnerless dispositions are still real, and are not just qualities, they can explain properties [Martin,CB]
     Full Idea: Given a realist view of dispositions as fully actual, even without manifestations or partners, a purely dispositional account of properties has a degree of plausibility, which is enhanced because properties lack purely qualitative characterisations.
     From: C.B. Martin (The Mind in Nature [2008], 06.4)
     A reaction: In the end Martin opts for a mixed account, as in Idea 15484, but he gives reasons here for the view which I favour. If he concedes that dispositions may exist without manifestation, they must surely lack qualities. Are they not properties, then?
8. Modes of Existence / C. Powers and Dispositions / 5. Powers and Properties
Properties endow a ball with qualities, and with powers or dispositions [Martin,CB]
     Full Idea: Each property endows a ball with a distinctive qualitative character and a distinctive range of powers or dispositionalities.
     From: C.B. Martin (The Mind in Nature [2008], 04.6)
     A reaction: I think this is the wrong way round. Do properties support powers, or powers support properties? I favour the latter. Properties are much vaguer than powers. Powers generate the required causation and activity.
Qualities and dispositions are aspects of properties - what it exhibits, and what it does [Martin,CB]
     Full Idea: For any intrinsic and irreducible property, what is qualitative and what is dispositional are one and the same property considered as what that property exhibits of its nature and what that property is directive and selective for in its manifestation.
     From: C.B. Martin (The Mind in Nature [2008], 06.6)
     A reaction: This is supposed to support qualities and dispositions as equal partners, but I don't see how 'what a property exhibits' can have any role in fundamental ontology. What it exhibits may be very misleading about its nature.
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / a. Dispositions
Dispositions in action can be destroyed, be recovered, or remain unchanged [Martin,CB]
     Full Idea: Three forms of dispositionality are illustrated by explosives (which are destroyed by manifestation), being soluble (where the dispositions is lost but recoverable), and being stable (where the disposition is unchanged).
     From: C.B. Martin (The Mind in Nature [2008], 02.7)
     A reaction: [compressed] Presumably the explosives could be recovered after the explosion, since the original elements are still there, but it would take a while. The retina remains stable by continually changing. There are no simple distinctions!
8. Modes of Existence / C. Powers and Dispositions / 6. Dispositions / c. Dispositions as conditional
Powers depend on circumstances, so can't be given a conditional analysis [Martin,CB]
     Full Idea: Nobody believes, or ought to believe, that manifestations of powers follow upon the single event mentioned in the antecedent of the conditional independently of the circumstances.
     From: C.B. Martin (The Mind in Nature [2008], 02.4)
     A reaction: Another way of putting it would be that the behaviour of powers is more ceteris paribus than law.
'The wire is live' can't be analysed as a conditional, because a wire can change its powers [Martin,CB]
     Full Idea: According to the conditional analysis of 'the wire is live', if the wire is touched then it gives off electricity. What ultimately defeats this analysis is the acknowledged possibility of objects gaining or losing powers.
     From: C.B. Martin (The Mind in Nature [2008], 02.3)
     A reaction: He offers his 'electro-fink' as a counterexample, where touching the wire changes its disposition. The conditional analysis is simple and clearcut, but dispositions in reality are complex and unstable.
9. Objects / C. Structure of Objects / 1. Structure of an Object
Structural properties involve dispositionality, so cannot be used to explain it [Martin,CB]
     Full Idea: I take it as obvious that any structural property involves dispositionality and, therefore, cannot be used to 'explain' dispositionality.
     From: C.B. Martin (The Mind in Nature [2008], 04.3)
     A reaction: I think this is the right way round. The so-called 'categorical' properties seem to be close in nature to the 'structural' properties.
Structures don't explain dispositions, because they consist of dispositions [Martin,CB]
     Full Idea: It is self-defeating to try to explain dispositionality in terms of structural states because structural states are themselves dispositional.
     From: C.B. Martin (The Mind in Nature [2008], 01.2)
     A reaction: No doubt structures have dispositions, but are they entirely dispositional? Might there be 'emergent' dispositions which can only be explained by the structure itself, rather than by the dispositions that make up the structure?
9. Objects / C. Structure of Objects / 7. Substratum
I favour the idea of a substratum for properties; spacetime seems to be just a bearer of properties [Martin,CB]
     Full Idea: I favour the old idea of substratum: the haver of properties not itself had as a property. Space-time might itself be the bearer of properties, not itself borne as a property.
     From: C.B. Martin (The Mind in Nature [2008], 04.6)
     A reaction: A very nice idea. The choice is between saying either that fundamentals like space-time and physical fields are the propertyless bearers of properties, or that they purely consist of properties (so properties are fundamental, not substrata).
9. Objects / C. Structure of Objects / 8. Parts of Objects / c. Wholes from parts
Properly understood, wholes do no more causal work than their parts [Martin,CB]
     Full Idea: There is no causal work for the whole that is not done by the parts, provided the complex role of the parts is fully appreciated.
     From: C.B. Martin (The Mind in Nature [2008], 04.1)
     A reaction: It seems like a truth that because some parts are doing particular causal work (e.g. glue), the whole can acquire causal powers that the mereological sum of parts lacks.
9. Objects / F. Identity among Objects / 1. Concept of Identity
Only abstract things can have specific and full identity specifications [Martin,CB]
     Full Idea: Abstract entities (as nonspatiotemporal) seem to be the only candidates for specific and full identity specifications.
     From: C.B. Martin (The Mind in Nature [2008], 05.2 n1)
     A reaction: Martin says that only the 'mad logician' seeks such specifications elsewhere. Some people like persons to have perfect identity. God is a popular candidate too. Can objects have perfect 'macroscopic' identity?
The concept of 'identity' must allow for some changes in properties or parts [Martin,CB]
     Full Idea: We must avoid a use of 'identity' that implies that any entity over time must be said to lack continuing identity simply because it has changed properties or has lost, added, or had substituted some parts.
     From: C.B. Martin (The Mind in Nature [2008], 04.3)
     A reaction: This may the key area where the logical-mathematical type of philosophy comes into contact with the natural-metaphysical type. Imagine Martin's concept of 'identity' in mathematics. π changes to 3.1387... during the calculation!
10. Modality / E. Possible worlds / 1. Possible Worlds / c. Possible worlds realism
It is pointless to say possible worlds are truthmakers, and then deny that possible worlds exist [Martin,CB]
     Full Idea: To claim that the truthmaker for a counterfactual, for example, is a set of possible worlds, but to deny that these worlds really exist, seems pointless.
     From: C.B. Martin (The Mind in Nature [2008], 03.3)
     A reaction: Lewis therefore argues that they do exist. Martin argues that possible worlds are not truthmakers. He rests his account of modality on dispositions. I prefer Martin.
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / b. Transcendental idealism
Transcendental idealism aims to explain objectivity through subjectivity [Bowie]
     Full Idea: The aim of transcendental idealism is to give a basis for objectivity in terms of subjectivity.
     From: Andrew Bowie (German Philosophy: a very short introduction [2010], 1)
     A reaction: Hume used subjectivity to undermine the findings of objectivity. There was then no return to naive objectivity. Kant's aim then was to thwart global scepticism. Post-Kantians feared that he had failed.
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
The Idealists saw the same unexplained spontaneity in Kant's judgements and choices [Bowie]
     Full Idea: The Idealist saw in Kant that knowledge, which depends on the spontaneity of judgement, and self-determined spontaneous action, can be seen as sharing the same source, which is not accessible to scientific investigation.
     From: Andrew Bowie (German Philosophy: a very short introduction [2010])
     A reaction: This is the 'spontaneity' of judgements and choices which was seen as the main idea in Kant. It inspired romantic individualism. The judgements are the rule-based application of concepts.
German Idealism tried to stop oppositions of appearances/things and receptivity/spontaneity [Bowie]
     Full Idea: A central aim of German Idealism is to overcome Kant's oppositions between appearances and thing in themselves, and between receptivity and spontaneity.
     From: Andrew Bowie (German Philosophy: a very short introduction [2010], 2)
     A reaction: I have the impression that there were two strategies: break down the opposition within the self (Fichte), or break down the opposition in the world (Spinozism).
Crucial to Idealism is the idea of continuity between receptivity and spontaneous judgement [Bowie]
     Full Idea: A crucial idea for German Idealism (from Hamann) is that apparently passive receptivity and active spontaneity are in fact different degrees of the same 'activity, and the gap between subject and world can be closed.
     From: Andrew Bowie (German Philosophy: a very short introduction [2010], 3)
     A reaction: The 'passive' bit seems to be Hume's 'impressions', which are Kant's 'intuitions', which need 'spontaneous' interpretation to become experiences. Critics of Kant said this implied a dualism.
14. Science / D. Explanation / 4. Explanation Doubts / a. Explanation as pragmatic
Explanations are mind-dependent, theory-laden, and interest-relative [Martin,CB]
     Full Idea: Explanations are mind-dependent, theory-laden, and interest-relative.
     From: C.B. Martin (The Mind in Nature [2008], 10.2)
     A reaction: I don't think you can rule out the 'real' explanation, as the one dominant causal predecessor, such as the earthquake producing a tsunami.
15. Nature of Minds / A. Nature of Mind / 4. Other Minds / d. Other minds by analogy
Analogy works, as when we eat food which others seem to be relishing [Martin,CB]
     Full Idea: The long-derided way of analogy works! Otherwise why, when someone else is relishing a food we have not tried, is it reasonable for us to try it ourselves?
     From: C.B. Martin (The Mind in Nature [2008], 12.2)
     A reaction: Why wouldn't we rush to eat something an animal was relishing? Nice idea.
15. Nature of Minds / C. Capacities of Minds / 3. Abstraction by mind
Memory requires abstraction, as reminders of what cannot be fully remembered [Martin,CB]
     Full Idea: Selectivity and abstraction are required for the development of memory, because reminders and promptings are rarely replicas of what is being remembered.
     From: C.B. Martin (The Mind in Nature [2008], 10.3)
     A reaction: I take the key idea of mental life to be that of a 'label'. This need not be verbal, so 'conceptual label'. It could be an image, as on a road sign. Labelling is the most indispensable aspect of thought. We label objects, parts, properties and groups.
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
We don't often respond to events in art as if they were real events [Jacobson,D]
     Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection')
     A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film.
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Audiences can be too moral [Jacobson,D]
     Full Idea: An audience can be overly moralistic.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: People can be too moral in real life as well. Goody Two Shoes.
'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D]
     Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro)
     A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant.
Moral defects of art can be among its aesthetic virtues [Jacobson,D]
     Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro)
     A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption.
Immoral art encourages immoral emotions [Jacobson,D]
     Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional')
     A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence.
Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D]
     Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate')
     A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral.
We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D]
     Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation.
     From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is')
     A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism]
26. Natural Theory / C. Causation / 8. Particular Causation / b. Causal relata
Instead of a cause followed by an effect, we have dispositions in reciprocal manifestation [Martin,CB]
     Full Idea: The two-event cause-and-effect view is easily avoided and replaced by the view of mutual manifestations of reciprocal disposition partners, suggesting a natural contemporaneity.
     From: C.B. Martin (The Mind in Nature [2008], 05.1)
     A reaction: This view, which I find much more congenial than the traditional one, is explored in the ideas of Mumford and Anjum.
Causation should be explained in terms of dispositions and manifestations [Martin,CB]
     Full Idea: Disposition and manifestation are the basic categories by means of which cause and effect are to be explained.
     From: C.B. Martin (The Mind in Nature [2008], 07.8)
     A reaction: 'Manifestation' sounds a bit subjective. The manifestation evident to us may not indicate what is really going on below the surface. I like his basic picture.
26. Natural Theory / C. Causation / 9. General Causation / c. Counterfactual causation
Causal counterfactuals are just clumsy linguistic attempts to indicate dispositions [Martin,CB]
     Full Idea: 'Causal' counterfactuals have a place, of course, but only as clumsy and inexact linguistic gestures to dispositions, and they should be kept in that place.
     From: C.B. Martin (The Mind in Nature [2008], 02.6)
     A reaction: Counterfactuals only seem to give a regularity account of causation, by correlating an effect with a minimal context which will give rise to it. Surely dispositions run deeper than that?
26. Natural Theory / D. Laws of Nature / 8. Scientific Essentialism / c. Essence and laws
Causal laws are summaries of powers [Martin,CB]
     Full Idea: Causal laws are summaries of what entities are capable and incapable of.
     From: C.B. Martin (The Mind in Nature [2008], 02.8)
     A reaction: That's a pretty good formulation. Personally I favour a Humean analysis, perhaps along Lewis's lines, but on a basis of real powers. This remark of Martin's has got me rethinking.
27. Natural Reality / C. Space / 6. Space-Time
We can't think of space-time as empty and propertyless, and it seems to be a substratum [Martin,CB]
     Full Idea: It makes no sense in ontology or modern physics to think of space-time as empty and propertyless. Space-time nicely fulfils the condition of a substratum.
     From: C.B. Martin (The Mind in Nature [2008], 04.6)
     A reaction: At the very least, space-time seems to be 'curved', so it had better be something. Time has properties like being transitive. Space-time (or fields) might be a pure bundle of properties (the only pure bundle?), rather than a substratum.