21 ideas
| 7990 | Serene wisdom is freedom from ties, and indifference to fortune [Anon (Bhag)] |
| Full Idea: Who everywhere is free from all ties, who neither rejoices nor sorrows if fortune is good or is ill, his is a serene wisdom. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 2.57) | |
| A reaction: This is very similar to the 'apatheia' of the Stoics, though they are always more committed to rationality. This is quite a good strategy when times are hard, but as a general rule it offers a bogus state of 'wisdom' which is really half way to death. |
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 7989 | Seek salvation in the wisdom of reason [Anon (Bhag)] |
| Full Idea: Seek salvation in the wisdom of reason. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 2.49) | |
| A reaction: Quotations like this can usually be counterbalanced in eastern philosophy by wild irrationality, but they certainly felt to tug of reason. Only the Dhaoists seem really opposed to reason (e.g. Idea 7289). |
| 7996 | I am all the beauty and goodness of things, says Krishna [Anon (Bhag)] |
| Full Idea: I am the beauty of all things beautiful; ...I am the goodness of those who are good, says Krishna. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 10.36) | |
| A reaction: Another attempt to annexe everything which is admirable to the nature of God. This sounds strikingly Platonic (c.f. Idea 7992, which seems Aristotelian). One scholar dates the text to 150 BCE. I think there is influence, one way or the other. |
| 7995 | In all living beings I am the light of consciousness, says Krishna [Anon (Bhag)] |
| Full Idea: In all living beings I am the light of consciousness, says Krishna. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 10.22) | |
| A reaction: Everything grand seems to be claimed for God at this stage of culture, but I am not sure how coherent this view is, unless this is pantheism. In what sense could we possibly be Krishna, when none of us (except Arjuna) is aware of it? |
| 7999 | All actions come from: body, lower self, perception, means of action, or Fate [Anon (Bhag)] |
| Full Idea: Whatever a man does, good or bad, in thought, word or deed, has these five sources of action: the body, the lower 'I am', the means of perception, the means of action, and Fate. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 18.14/15) | |
| A reaction: The 'means of action' will presumably take care of anything we haven't thought of! Nothing quite matches the idea of 'the will' here. A twitch from the first, eating from the second, a startled jump from the third, struck by lightning from the fifth. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 7991 | Hate and lust have their roots in man's lower nature [Anon (Bhag)] |
| Full Idea: Hate and lust for things of nature have their roots in man's lower nature. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 3.34) | |
| A reaction: It seems outmoded now (since Freud) to label parts of human nature as 'higher' and 'lower'. I would defend the distinction, but it is not self-evident. The basis of morality is good citizenship, and parts of our nature are detrimental to that. |
| 7988 | There is no greater good for a warrior than to fight in a just war [Anon (Bhag)] |
| Full Idea: There is no greater good for a warrior than to fight in righteous war. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 2.31) | |
| A reaction: What worries me now is not the urging to fight, as long as a good cause can be found, but the idea that someone should see his social role as 'warrior'. The modern 'soldier' is ready to fight, but a traditional 'warrior' is obliged to fight. |
| 7992 | The visible forms of nature are earth, water, fire, air, ether; mind, reason, and the sense of 'I' [Anon (Bhag)] |
| Full Idea: The visible forms of nature are eight: earth, water, fire, air, ether; the mind, reason, and the sense of 'I'. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 7.4) | |
| A reaction: Presumably there is an implication that there are also invisible forms. The Bhuddists launched an attack on 'I' as one of the categories. The first five appear to be Aristotle's, which must be of scholarly (and chronological) interest. |
| 14409 | I am a presentist, and all language and common sense supports my view [Bigelow] |
| Full Idea: I am a presentist: nothing exists which is not present. Everyone believed this until the nineteenth century; it is writing into the grammar of natural languages; it is still assumed in everyday life, even by philosophers who deny it. | |
| From: John Bigelow (Presentism and Properties [1996], p.36), quoted by Trenton Merricks - Truth and Ontology | |
| A reaction: The most likely deniers of presentism seem to be physicists and cosmologists who have overdosed on Einstein. On the whole I vote for presentism, but what justifies truths about the past and future. Traces existing in the present? |
| 7994 | Everything, including the gods, comes from me, says Krishna [Anon (Bhag)] |
| Full Idea: All the gods come from me, says Krishna. ...I am the one source of all | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 10.2/8) | |
| A reaction: This seems very close to monotheism, and sounds very similar to the position that Zeus seems to occupy in later Greek religion, where he is shading off into a supreme and spiritual entity. |
| 7993 | Brahman is supreme, Atman his spirit in man, and Karma is the force of creation [Anon (Bhag)] |
| Full Idea: Brahman is supreme, the Eternal. Atman is his Spirit in man. Karma is the force of creation, wherefrom all things have their life. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 8.3) | |
| A reaction: I can't help wondering how they know all this stuff, but then I'm just a typical product of my culture. We seem to have a trinity here. Who's in charge? Is Atman just a servant? Is Karma totally under the control of Brahman? |
| 7997 | Only by love can men see me, know me, and come to me, says Krishna [Anon (Bhag)] |
| Full Idea: Only by love can men see me, and know me, and come unto me, says Krishna | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 11.54) | |
| A reaction: There seems to be a paradox here, as it is unclear how you can love Krishna, if you have not already seen him in some way. This is another paradox of fideism - that faith cannot possibly be the first step in a religion, as faith needs a target. |
| 7998 | The three gates of hell are lust, anger and greed [Anon (Bhag)] |
| Full Idea: Three are the gates of this hell, the death of the soul: the gate of lust, the gate of wrath, and the gate of greed. Let a man shun the three. | |
| From: Anon (Bhag) (The Bhagavad Gita [c.500 BCE], 16.21) | |
| A reaction: Anyone who wishes to procreate, champion justice, and make a living, has to pursue all three. Wisdom consists of pursuing the three appropriately, not in shunning them. How did this bizarre puritanism ever come to grip the human race? |