5 ideas
| 8216 | Deconstruction is not neutral; it intervenes [Derrida] |
| Full Idea: Deconstruction, I have insisted, is not neutral. It intervenes. | |
| From: Jacques Derrida (Positions [1971], p.76) | |
| A reaction: This, I think, is because there is in Derrida, as in most French philosophers, a strong streak of Marxism, and a desire to change the world, rather than merely understanding it. Idea 8213 shows the sort of thing he wants to change. |
| 8213 | I try to analyse certain verbal concepts which block and confuse the dialectical process [Derrida] |
| Full Idea: I have tried to analyse certain marks in writing which are undecidables, false verbal properties, which inhabit philosophical opposition, resisting and disorganising it, without ever constituting a third term, withour ever leaving room for a solution. | |
| From: Jacques Derrida (Positions [1971], p.40) | |
| A reaction: [I have simplified his sentence!] Much of Derrida seems to be a commentary on the Hegelian dialectic, and the project is presumably to figure out why philosophy is not advancing in the way we would like. Interesting... |
| 23900 | Chance is compatible with necessity, and the two occur together [Weil] |
| Full Idea: Chance is not the contrary of necessity; it is not incompatible with necessity. On the contrary, it never appears except at the same time as necessity. | |
| From: Simone Weil (The Scientific Image [1941], p.175) | |
| A reaction: She illustrates it with the six terminating results of a die throw, and the innumerabe ways the throw can occur. This thought strikes me as relevant to discussions of free will. …But I'm not sure I fully understand it. |
| 23899 | The secret of art is that beauty is a just blend of unity and its opposite [Weil] |
| Full Idea: A just blend of unity and that which opposes it is the condition of the beautiful, and it is the secret of art. | |
| From: Simone Weil (The Scientific Image [1941], p.169) | |
| A reaction: Rather sweeping, but the observation strikes me as fairly accurate. It seems to work for most novels, paintings and music, though more recent art may provide counterexamples. |
| 7482 | Resurrection developed in Judaism as a response to martyrdoms, in about 160 BCE [Anon (Dan), by Watson] |
| Full Idea: The idea of resurrection in Judaism seems to have first developed around 160 BCE, during the time of religious martyrdom, and as a response to it (the martyrs were surely not dying forever?). It is first mentioned in the book of Daniel. | |
| From: report of Anon (Dan) (27: Book of Daniel [c.165 BCE], Ch.7) by Peter Watson - Ideas | |
| A reaction: Idea 7473 suggests that Zoroaster beat them to it by 800 years. |