17 ideas
| 9406 | A class is natural when everybody can spot further members of it [Quinton] |
| Full Idea: To say that a class is natural is to say that when some of its members are shown to people they pick out others without hesitation and in agreement. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: He concedes a number of problems with his view, but I admire his attempt to at least begin to distinguish the natural (real!) classes from the ersatz ones. A mention of causal powers would greatly improve his story. |
| 14775 | Numbers are just names devised for counting [Peirce] |
| Full Idea: Numbers are merely a system of names devised by men for the purpose of counting. | |
| From: Charles Sanders Peirce (Scientific Attitude and Fallibilism [1899], II) | |
| A reaction: This seems a perfectly plausible view prior to the advent of Cantor, set theory and modern mathematical logic. I suppose the modern reply to this is that Peirce may be right about origin, but that men thereby stumbled on an Aladdin's Cave of riches. |
| 14776 | That two two-eyed people must have four eyes is a statement about numbers, not a fact [Peirce] |
| Full Idea: To say that 'if' there are two persons and each person has two eyes there 'will be' four eyes is not a statement of fact, but a statement about the system of numbers which is our own creation. | |
| From: Charles Sanders Peirce (Scientific Attitude and Fallibilism [1899], II) | |
| A reaction: One eye for each arm of the people is certainly a fact. Frege uses this equivalence to build numbers. I think Peirce is wrong. If it is not a fact that these people have four eyes, I don't know what 'four' means. It's being two pairs is also a fact. |
| 15730 | Extreme nominalists say all classification is arbitrary convention [Quinton] |
| Full Idea: Pure, extreme nominalism sees all classification as the product of arbitrary convention. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: I'm not sure what the word 'arbitrary' is doing there. Nominalists are not daft, and if they can classify any way they like, they are not likely to choose an 'arbitrary' system. Pragmatism tells the right story here. |
| 15728 | The naturalness of a class depends as much on the observers as on the objects [Quinton] |
| Full Idea: The naturalness of a class depends as essentially on the nature of the observers who classify as it does on the nature of the objects that they classify. ...It depends on our perceptual apparatus, and on our relatively mutable needs and interests. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: This seems to translate 'natural' as 'natural for us', which is not much use to scientists, who spend quite a lot of effort combating folk wisdom. Do desirable sports cars constitute a natural class? |
| 9407 | Properties imply natural classes which can be picked out by everybody [Quinton] |
| Full Idea: To say there are properties is to say there are natural classes, classes introduction to some of whose members enables people to pick out others without hesitation and in agreement. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: Aristotle would like this approach, but it doesn't find many friends among modern logician/philosophers. We should go on to ask why people agree on these things. Causal powers will then come into it. |
| 15729 | Uninstantiated properties must be defined using the instantiated ones [Quinton] |
| Full Idea: Properties that have no concrete instances must be defined in terms of those that have. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: I wonder what the dodo used to smell like? |
| 8520 | An individual is a union of a group of qualities and a position [Quinton, by Campbell,K] |
| Full Idea: Quinton proposes that an individual is a union of a group of qualities and a position. | |
| From: report of Anthony Quinton (The Nature of Things [1973], Pt I) by Keith Campbell - The Metaphysic of Abstract Particulars §5 | |
| A reaction: This seems the obvious defence of a bundle account of objects against the charge that indiscernibles would have to be identical. It introduces, however, 'positions' into the ontology, but maybe that price must be paid. Materialism needs space. |
| 14770 | Reasoning is based on statistical induction, so it can't achieve certainty or precision [Peirce] |
| Full Idea: All positive reasoning is judging the proportion of something in a whole collection by the proportion found in a sample. Hence we can never hope to attain absolute certainty, absolute exactitude, absolute universality. | |
| From: Charles Sanders Peirce (Scientific Attitude and Fallibilism [1899], II) | |
| A reaction: This is the basis of Peirce's fallibilism - that all 'positive' reasoning (whatever that it?) is based on statistical induction. I'm all in favour of fallibilism, but find Peirce's claim to be a bit too narrow. He was too mesmerised by physical science. |
| 14774 | Innate truths are very uncertain and full of error, so they certainly have exceptions [Peirce] |
| Full Idea: It seems to me there is the most historic proof that innate truths are particularly uncertain and mixed up with error, and therefore a fortiori not without exception. | |
| From: Charles Sanders Peirce (Scientific Attitude and Fallibilism [1899], II) |
| 14773 | A truth is hard for us to understand if it rests on nothing but inspiration [Peirce] |
| Full Idea: A truth which rests on the authority of inspiration only is of a somewhat incomprehensible nature; and we can never be sure that we rightly comprehend it. | |
| From: Charles Sanders Peirce (Scientific Attitude and Fallibilism [1899], II) |
| 14772 | If we decide an idea is inspired, we still can't be sure we have got the idea right [Peirce] |
| Full Idea: Even if we decide that an idea really is inspired, we cannot be sure, or nearly sure, that the statement is true. We know one of the commandments of the Bible was printed without a 'not' in it. | |
| From: Charles Sanders Peirce (Scientific Attitude and Fallibilism [1899], II) |
| 14771 | Only reason can establish whether some deliverance of revelation really is inspired [Peirce] |
| Full Idea: We never can be absolutely certain that any given deliverance [of revelation] really is inspired; for that can only be established by reasoning. | |
| From: Charles Sanders Peirce (Scientific Attitude and Fallibilism [1899], II) |
| 14769 | Only imagination can connect phenomena together in a rational way [Peirce] |
| Full Idea: We can stare stupidly at phenomena; but in the absence of imagination they will not connect themselves together in any rational way. | |
| From: Charles Sanders Peirce (Scientific Attitude and Fallibilism [1899], I) | |
| A reaction: The importance of this is its connection between imagination and 'rational' understanding. This is an important corrective to a crude traditional picture of the role of imagination. I would connect imagination with counterfactuals and best explanation. |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |