17 ideas
| 9406 | A class is natural when everybody can spot further members of it [Quinton] |
| Full Idea: To say that a class is natural is to say that when some of its members are shown to people they pick out others without hesitation and in agreement. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: He concedes a number of problems with his view, but I admire his attempt to at least begin to distinguish the natural (real!) classes from the ersatz ones. A mention of causal powers would greatly improve his story. |
| 15730 | Extreme nominalists say all classification is arbitrary convention [Quinton] |
| Full Idea: Pure, extreme nominalism sees all classification as the product of arbitrary convention. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: I'm not sure what the word 'arbitrary' is doing there. Nominalists are not daft, and if they can classify any way they like, they are not likely to choose an 'arbitrary' system. Pragmatism tells the right story here. |
| 15728 | The naturalness of a class depends as much on the observers as on the objects [Quinton] |
| Full Idea: The naturalness of a class depends as essentially on the nature of the observers who classify as it does on the nature of the objects that they classify. ...It depends on our perceptual apparatus, and on our relatively mutable needs and interests. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: This seems to translate 'natural' as 'natural for us', which is not much use to scientists, who spend quite a lot of effort combating folk wisdom. Do desirable sports cars constitute a natural class? |
| 9407 | Properties imply natural classes which can be picked out by everybody [Quinton] |
| Full Idea: To say there are properties is to say there are natural classes, classes introduction to some of whose members enables people to pick out others without hesitation and in agreement. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: Aristotle would like this approach, but it doesn't find many friends among modern logician/philosophers. We should go on to ask why people agree on these things. Causal powers will then come into it. |
| 15729 | Uninstantiated properties must be defined using the instantiated ones [Quinton] |
| Full Idea: Properties that have no concrete instances must be defined in terms of those that have. | |
| From: Anthony Quinton (The Nature of Things [1973], 9 'Nat') | |
| A reaction: I wonder what the dodo used to smell like? |
| 8520 | An individual is a union of a group of qualities and a position [Quinton, by Campbell,K] |
| Full Idea: Quinton proposes that an individual is a union of a group of qualities and a position. | |
| From: report of Anthony Quinton (The Nature of Things [1973], Pt I) by Keith Campbell - The Metaphysic of Abstract Particulars §5 | |
| A reaction: This seems the obvious defence of a bundle account of objects against the charge that indiscernibles would have to be identical. It introduces, however, 'positions' into the ontology, but maybe that price must be paid. Materialism needs space. |
| 16066 | Additional or removal of any part changes a thing, so people are never the same person [Epicharmus] |
| Full Idea: If you add or take away a pebble, the same number does not remain. If you add to a length or cut off from it, the former measure does not remain. So human beings grow or waste away. Both you and I were, and shall be, other men. | |
| From: Epicharmus (comedies (frags) [c.470 BCE], B02), quoted by Diogenes Laertius - Lives of Eminent Philosophers 03.12 | |
| A reaction: [The original is in dialogue form from a play. The context is a joke about not paying a debt.] Note the early date for this metaphysical puzzle. My new favourite reply is Chrysippus's Idea 16059; identity actually requires change. |
| 436 | A dog seems handsome to another a dog, and even a pig to another pig [Epicharmus] |
| Full Idea: Dog seems very handsome to dog, and ox to ox, and donkey very handsome to donkey, and even pig to pig. | |
| From: Epicharmus (comedies (frags) [c.470 BCE], B05), quoted by (who?) - where? |
| 20440 | Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman] |
| Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers. |
| 20439 | Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli] |
| Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations. | |
| From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4 | |
| A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt. |
| 20438 | A performance is only an instance of a work if there is not a single error [Goodman] |
| Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) | |
| A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal. |
| 20437 | A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman] |
| Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original. | |
| From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2 | |
| A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters. |
| 442 | Pleasures are like pirates - if you are caught they drown you in a sea of pleasures [Epicharmus] |
| Full Idea: Pleasures for mortals are like impious pirates, for the man who is caught by pleasures is immediately drowned in a sea of them. | |
| From: Epicharmus (comedies (frags) [c.470 BCE], B44), quoted by (who?) - where? | |
| A reaction: Not all slopes are slippery. Plenty of people hold themselves to strict rules about alcohol or gambling. People have occasional treats. |
| 440 | Hands wash hands; give that you may get [Epicharmus] |
| Full Idea: The hand washes the hand; give something and you may get something. | |
| From: Epicharmus (comedies (frags) [c.470 BCE], B30), quoted by (who?) - where? |
| 441 | Against a villain, villainy is not a useless weapon [Epicharmus] |
| Full Idea: Against a villain, villainy is not a useless weapon. | |
| From: Epicharmus (comedies (frags) [c.470 BCE], B32), quoted by (who?) - where? |
| 439 | God knows everything, and nothing is impossible for him [Epicharmus] |
| Full Idea: Nothing escapes the divine, this you must realise. God himself is our overseer, and nothing is impossible for him. | |
| From: Epicharmus (comedies (frags) [c.470 BCE], B23), quoted by (who?) - where? |
| 443 | Human logos is an aspect of divine logos, and is sufficient for successful living [Epicharmus] |
| Full Idea: Man has calculation, but there is also the divine logos. But human logos is sprung from the divine logos, and it brings to each man his means of life, and his maintenance. | |
| From: Epicharmus (comedies (frags) [c.470 BCE], B57), quoted by (who?) - where? |