Combining Texts

All the ideas for 'The Nature of Things', 'Does moral phil rest on a mistake?' and 'Languages of Art (2nd edn)'

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15 ideas

4. Formal Logic / F. Set Theory ST / 7. Natural Sets
A class is natural when everybody can spot further members of it [Quinton]
     Full Idea: To say that a class is natural is to say that when some of its members are shown to people they pick out others without hesitation and in agreement.
     From: Anthony Quinton (The Nature of Things [1973], 9 'Nat')
     A reaction: He concedes a number of problems with his view, but I admire his attempt to at least begin to distinguish the natural (real!) classes from the ersatz ones. A mention of causal powers would greatly improve his story.
7. Existence / E. Categories / 5. Category Anti-Realism
Extreme nominalists say all classification is arbitrary convention [Quinton]
     Full Idea: Pure, extreme nominalism sees all classification as the product of arbitrary convention.
     From: Anthony Quinton (The Nature of Things [1973], 9 'Nat')
     A reaction: I'm not sure what the word 'arbitrary' is doing there. Nominalists are not daft, and if they can classify any way they like, they are not likely to choose an 'arbitrary' system. Pragmatism tells the right story here.
8. Modes of Existence / B. Properties / 5. Natural Properties
The naturalness of a class depends as much on the observers as on the objects [Quinton]
     Full Idea: The naturalness of a class depends as essentially on the nature of the observers who classify as it does on the nature of the objects that they classify. ...It depends on our perceptual apparatus, and on our relatively mutable needs and interests.
     From: Anthony Quinton (The Nature of Things [1973], 9 'Nat')
     A reaction: This seems to translate 'natural' as 'natural for us', which is not much use to scientists, who spend quite a lot of effort combating folk wisdom. Do desirable sports cars constitute a natural class?
Properties imply natural classes which can be picked out by everybody [Quinton]
     Full Idea: To say there are properties is to say there are natural classes, classes introduction to some of whose members enables people to pick out others without hesitation and in agreement.
     From: Anthony Quinton (The Nature of Things [1973], 9 'Nat')
     A reaction: Aristotle would like this approach, but it doesn't find many friends among modern logician/philosophers. We should go on to ask why people agree on these things. Causal powers will then come into it.
8. Modes of Existence / D. Universals / 4. Uninstantiated Universals
Uninstantiated properties must be defined using the instantiated ones [Quinton]
     Full Idea: Properties that have no concrete instances must be defined in terms of those that have.
     From: Anthony Quinton (The Nature of Things [1973], 9 'Nat')
     A reaction: I wonder what the dodo used to smell like?
9. Objects / A. Existence of Objects / 5. Individuation / b. Individuation by properties
An individual is a union of a group of qualities and a position [Quinton, by Campbell,K]
     Full Idea: Quinton proposes that an individual is a union of a group of qualities and a position.
     From: report of Anthony Quinton (The Nature of Things [1973], Pt I) by Keith Campbell - The Metaphysic of Abstract Particulars §5
     A reaction: This seems the obvious defence of a bundle account of objects against the charge that indiscernibles would have to be identical. It introduces, however, 'positions' into the ontology, but maybe that price must be paid. Materialism needs space.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Art is a referential activity, hence indefinable, but it has a set of symptoms [Goodman]
     Full Idea: No definition of art is possible (since it is a referential activity), …but the symptoms of art are syntactic density, semantic density, syntactic repleteness, exemplificationality, and multiple and complex reference.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.22-255), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: I wish these labels were more self-explanatory. Goodman seems to want to assimilate art to his earlier interests in linguistic anti-realism and mereology. I wouldn't have thought he now had many followers.
21. Aesthetics / B. Nature of Art / 5. Art as Language
Artistic symbols are judged by the fruitfulness of their classifications [Goodman, by Giovannelli]
     Full Idea: Artistic symbols are to be judged for the classifications they bring about, for how novel and insightful those classifications are, for how they change our world perceptions and relations.
     From: report of Nelson Goodman (Languages of Art (2nd edn) [1968]) by Alessandro Giovannelli - Nelson Goodman (aesthetics) 4
     A reaction: This seems to be an awfully long way from our normal experience of art. I understand 'symbols' in early Flemish art, but not in Mondriaan, or even Rembrandt.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
A performance is only an instance of a work if there is not a single error [Goodman]
     Full Idea: The most miserable performance without actual mistakes does count as an instance of a work, …but the most brilliant performance with a single wrong note does not.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.186), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics)
     A reaction: Mereological essentialism applied to art! You need to be a highly theoretical and technical philosopher (which Goodman was) to maintain such a weird and contrary-usage proposal.
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
A copy only becomes an 'instance' of an artwork if there is a system of notation [Goodman]
     Full Idea: Paintings and sculptures do not work within a notation; hence, there is no copying of an original that would preserve its originality. A copy of a painting is a copy, not an instance of the original.
     From: Nelson Goodman (Languages of Art (2nd edn) [1968], p.212), quoted by Alessandro Giovannelli - Nelson Goodman (aesthetics) 2
     A reaction: Sounds conclusive, but isn't. Is a poetry manuscript a 'notation' or an original? Why is an etching plate a notation, but painting on canvas is an original? Can I create a painting specifically so that it can be copied (by my students)? Intention matters.
22. Metaethics / A. Ethics Foundations / 1. Nature of Ethics / c. Purpose of ethics
The 'Ethics' is disappointing, because it fails to try to justify our duties [Prichard]
     Full Idea: Reading the 'Ethics' is so disappointing, because Aristotle does not try to convince us that we really ought to do what our non-reflective consciousness has hitherto believed we ought to do.
     From: H.A. Prichard (Does moral phil rest on a mistake? [1912])
     A reaction: Aristotle didn't speak the language of 'duty' (see Idea 2172), but he could work it into his account if Prichard asked nicely. I take the truly virtuous person to be, above all, a wonderful citizen. Duties are contractual; good deeds flow from virtue.
23. Ethics / C. Virtue Theory / 1. Virtue Theory / c. Particularism
The mistake is to think we can prove what can only be seen directly in moral thinking [Prichard]
     Full Idea: Moral Philosophy rests on the mistake of supposing the possibility of proving what can only be apprehended directly by an act of moral thinking.
     From: H.A. Prichard (Does moral phil rest on a mistake? [1912])
     A reaction: This is a beginning of the rebellion against the Enlightenment Project in ethics, which is why Prichard has become popular. At bottom he is offering intuition ('direct moral thinking'), which is a frustratingly thin concept.
23. Ethics / C. Virtue Theory / 1. Virtue Theory / d. Virtue theory critique
Virtues won't generate an obligation, so it isn't a basis for morality [Prichard]
     Full Idea: It is untrue to urge that, since courage is a virtue, we ought to act courageously. We feel an obligation to act, but not from a certain desire. The action is done from obligation, so isn't an act of courage. ..In fact, virtue is no basis for morality.
     From: H.A. Prichard (Does moral phil rest on a mistake? [1912])
     A reaction: One of the few interesting and direct attacks on virtue theory, before its modern revival. Prichard urges a perception of what is valuable (or good) as the basis for obligation and right action. He is right that values come first, in virtue and elsewhere.
23. Ethics / D. Deontological Ethics / 2. Duty
We feel obligations to overcome our own failings, and these are not relations to other people [Prichard]
     Full Idea: The relation involved in an obligation need not be a relation to another at all. Thus we should admit that there is an obligation to overcome our natural timidity or greediness, and this involves no relations to others.
     From: H.A. Prichard (Does moral phil rest on a mistake? [1912])
     A reaction: An interesting un-Aristotelian and individualistic view of virtue. Why would we want to rid ourselves of timidity or greediness? Either it is self-interested, or we wish to be better citizens. See Richard Taylor on duty.
23. Ethics / E. Utilitarianism / 1. Utilitarianism
If pain were instrinsically wrong, it would be immoral to inflict it on ourselves [Prichard]
     Full Idea: If the badness of pain were the reason why we ought not to inflict pain on another, it would equally be a reason why we ought not to inflict pain on ourselves; yet, though we would call such behaviour foolish, we wouldn't think it wrong.
     From: H.A. Prichard (Does moral phil rest on a mistake? [1912], n4)
     A reaction: A very nice point. Note that it will equally well apply to 'benefit' or 'preferences', or any other ideal which utilitarians set out to maximise. It may not be bad to hurt yourself, but it might still be bad to harm yourself.