15 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 3338 | Numbers have been defined in terms of 'successors' to the concept of 'zero' [Peano, by Blackburn] |
| Full Idea: Dedekind and Peano define the number series as the series of successors to the number zero, according to five postulates. | |
| From: report of Giuseppe Peano (works [1890]) by Simon Blackburn - Oxford Dictionary of Philosophy p.279 |
| 5897 | 0 is a non-successor number, all successors are numbers, successors can't duplicate, if P(n) and P(n+1) then P(all-n) [Peano, by Flew] |
| Full Idea: 1) 0 is a number; 2) The successor of any number is a number; 3) No two numbers have the same successor; 4) 0 is not the successor of any number; 5) If P is true of 0, and if P is true of any number n and of its successor, P is true of every number. | |
| From: report of Giuseppe Peano (works [1890]) by Antony Flew - Pan Dictionary of Philosophy 'Peano' | |
| A reaction: Devised by Dedekind and proposed by Peano, these postulates were intended to avoid references to intuition in specifying the natural numbers. I wonder if they could define 'successor' without reference to 'number'. |
| 15642 | If kinds depend only on what can be observed, many underlying essences might produce the same kind [Eagle] |
| Full Idea: If the kinds there are depend not on the essences of the objects but on their observed distinguishing particulars, ...then for any kind that we think there is, it is possible that there are many underlying essences which are observably indistinguishable. | |
| From: Antony Eagle (Locke on Essences and Kinds [2005], IV) | |
| A reaction: Eagle is commenting on Locke's reliance on nominal essences. This seems to be the genuine problem with jadeite and nephrite (both taken to be 'jade'), or with 'fool's gold'. This isn't an objection to Locke; it just explains the role of science. |
| 15645 | Nominal essence are the observable properties of things [Eagle] |
| Full Idea: It is clear the nominal essences really are the properties of the things which have them: they are (a subset of) the observable properties of the things. | |
| From: Antony Eagle (Locke on Essences and Kinds [2005], IV) | |
| A reaction: I think this is wrong. The surface characteristics are all that is available to us, so our classifications must be based on those, but it is on the ideas of them, not their intrinsic natures. That is empiricsm! What makes the properties 'essential'? |
| 15643 | Nominal essence mistakenly gives equal weight to all underlying properties that produce appearances [Eagle] |
| Full Idea: Nominal essence does not allow for gradations in significance for the underlying properties. Those are all essential for the object behaving as it observably does, and they must all be given equal weight when deciding what the object does. | |
| From: Antony Eagle (Locke on Essences and Kinds [2005], IV) | |
| A reaction: This is where 'scientific' essentialism comes in. If we take one object, or one kind of object, in isolation, Eagle is right. When we start to compare, and to set up controlled conditions tests, we can dig into the 'gradations' he cares about. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 15641 | Kinds are fixed by the essential properties of things - the properties that make it that kind of thing [Eagle] |
| Full Idea: The natural thought is to think that real kinds are given only by classification on the basis of essential properties: properties that make an object the kind of thing that it is. | |
| From: Antony Eagle (Locke on Essences and Kinds [2005], II) | |
| A reaction: Circularity alert! Circularity alert! Essence gives a thing its kind - and hence we can see what the kind is? Test for a trivial property! Eagle is not unaware of these issues. Does he mean 'necessary' rather than 'essential'? |