7 ideas
10053 | Geometrical axioms imply the propositions, but the former may not be true [Russell] |
Full Idea: We must only assert of various geometries that the axioms imply the propositions, not that the axioms are true and therefore that the propositions are true. | |
From: Bertrand Russell (Foundations of Geometry [1897], Intro vii), quoted by Alan Musgrave - Logicism Revisited §4 | |
A reaction: Clearly the truth of the axioms can remain a separate issue from whether they actually imply the theorems. The truth of the axioms might be as much a metaphysical as an empirical question. Musgrave sees this as the birth of if-thenism. |
10052 | Geometry is united by the intuitive axioms of projective geometry [Russell, by Musgrave] |
Full Idea: Russell sought what was common to Euclidean and non-Euclidean systems, found it in the axioms of projective geometry, and took a Kantian view of them. | |
From: report of Bertrand Russell (Foundations of Geometry [1897]) by Alan Musgrave - Logicism Revisited §4 | |
A reaction: Russell's work just preceded Hilbert's famous book. Tarski later produced some logical axioms for geometry. |
20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
A reaction: I might believe this of writing novels, but not much else. |
1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
Full Idea: Archelaus was the first person to say that the universe is boundless. | |
From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |