10 ideas
| 11257 | The Pythagoreans were the first to offer definitions [Politis, by Politis] |
| Full Idea: Aristotle praises the Pythagoreans for being the first to offer definitions. | |
| From: report of Vassilis Politis (Aristotle and the Metaphysics [2004]) by Vassilis Politis - Aristotle and the Metaphysics 2.4 | |
| A reaction: This sounds like a hugely important step in the development of Greek philosophy which is hardly ever mentioned. |
| 11235 | 'True of' is applicable to things, while 'true' is applicable to words [Politis] |
| Full Idea: It is crucial not to confuse 'true' with 'true of'. 'True of' is applicable to things, while 'true' is applicable to words. | |
| From: Vassilis Politis (Aristotle and the Metaphysics [2004], 1.4) | |
| A reaction: A beautifully simple distinction which had never occurred to me, and which (being a thoroughgoing realist) I really like. |
| 11277 | Maybe 'What is being? is confusing because we can't ask what non-being is like [Politis] |
| Full Idea: We may be unfamiliar with the question 'What is being?' because there appear to be no contrastive questions of the form: how do beings differ from things that are not beings? | |
| From: Vassilis Politis (Aristotle and the Metaphysics [2004], 4.1) | |
| A reaction: We can, of course, contrast actual beings with possible beings, or imaginary beings, or even logically impossible beings, but in those cases 'being' strikes me as an entirely inappropriate word. |
| 11248 | Necessary truths can be two-way relational, where essential truths are one-way or intrinsic [Politis] |
| Full Idea: An essence is true in virtue of what the thing is in itself, but a necessary truth may be relational, as the consequence of the relation between two things and their essence. The necessary relation may be two-way, but the essential relation one-way. | |
| From: Vassilis Politis (Aristotle and the Metaphysics [2004], 2.3) | |
| A reaction: He is writing about Aristotle, but has in mind Kit Fine 1994 (qv). Politis cites Plato's answer to the Euthyphro Question as a good example. The necessity comes from the intrinsic nature of goodness/piety, not from the desire of the gods. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |