10 ideas
| 9086 | The idea of abstract objects is not ontological; it comes from the epistemological idea of abstraction [Plantinga] |
| Full Idea: The notion of an abstract object comes from the notion of abstraction; it is in origin an epistemological rather than an ontological category. | |
| From: Alvin Plantinga (Why Propositions cannot be concrete [1993], p.232) | |
| A reaction: Etymology doesn't prove anything. However, if you define abstract objects as not existing in space or time, you must recognise that this may only be because that is how humans imaginatively created them in the first place. |
| 9087 | Theists may see abstract objects as really divine thoughts [Plantinga] |
| Full Idea: Theists may find attractive a view popular among medieval philosophers from Augustine on: that abstract objects are really divine thoughts. More exactly, propositions are divine thoughts, properties divine concepts, and sets divine collections. | |
| From: Alvin Plantinga (Why Propositions cannot be concrete [1993], p.233) | |
| A reaction: Hm. I pass this on because we should be aware that there is a theological history to discussions of abstract objects, and some people have vested interests in keeping them outside of the natural world. Aren't properties natural? Does God gerrymander sets? |
| 9085 | If propositions are concrete they don't have to exist, and so they can't be necessary truths [Plantinga] |
| Full Idea: Someone who believes propositions are concrete cannot agree that some propositions are necessary. For propositions are contingent beings, and could have failed to exist. But if they fail to exist, then they fail to be true. | |
| From: Alvin Plantinga (Why Propositions cannot be concrete [1993], p.230) | |
| A reaction: [compressed] He implies the actual existence of an infinity of trivial, boring or ridiculous necessary truths. I suspect that he is just confusing a thought with its content. Or we might just treat necessary propositions as hypothetical. |
| 9084 | Propositions can't just be in brains, because 'there are no human beings' might be true [Plantinga] |
| Full Idea: If propositions are brain inscriptions, then if there had been no human beings there would have been no propositions. But then 'there are no human beings' would have been true, so there would have been at least one truth (and thus one proposition). | |
| From: Alvin Plantinga (Why Propositions cannot be concrete [1993], p.229) | |
| A reaction: This would make 'there are no x's' true for any value of x apart from actual objects, which implies an infinity of propositions. Does Plantinga really believe that these all exist? He may be confusing propositions with facts. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |