Combining Texts

All the ideas for 'fragments/reports', 'Croce and Collingwood' and 'Human Flourishing, Ethics and Liberty'

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8 ideas

21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
     Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold.
     From: Gary Kemp (Croce and Collingwood [2012], Intro)
     A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
     Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.
We don't already know what to express, and then seek means of expressing it [Kemp]
     Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing.
The horror expressed in some works of art could equallly be expressed by other means [Kemp]
     Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art!
22. Metaethics / C. The Good / 1. Goodness / d. Good as virtue
Basing ethics on flourishing makes it consequentialist, as actions are judged by contributing to it [Harman]
     Full Idea: Basing ethics on human flourishing tends towards utilitarianism or consequentialism; actions, character traits, laws, and so on are to be assessed with reference to their contributions to human flourishing.
     From: Gilbert Harman (Human Flourishing, Ethics and Liberty [1983], 9.2.2)
     A reaction: This raises the question of whether only virtue can contribute to flourishing, or whether a bit of vice might be helpful. This problem presumably pushed the Stoics to say that virtue itself is the good, rather than the resulting flourishing.
22. Metaethics / C. The Good / 2. Happiness / b. Eudaimonia
What counts as 'flourishing' must be relative to various sets of values [Harman]
     Full Idea: If we base our ethics on human flourishing, one implication would seem to be moral relativism, since what counts as 'flourishing' seems inevitably relative to one or other set of values.
     From: Gilbert Harman (Human Flourishing, Ethics and Liberty [1983], 9.2.1)
     A reaction: This remark seems to make the relativist assumption that all value systems are equal. For Aristotle, flourishing is no more relative than health is. No one can assert that illness has an intrinsically high value in human life.
26. Natural Theory / A. Speculations on Nature / 5. Infinite in Nature
Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius]
     Full Idea: Archelaus was the first person to say that the universe is boundless.
     From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3
27. Natural Reality / G. Biology / 3. Evolution
Archelaus said life began in a primeval slime [Archelaus, by Schofield]
     Full Idea: Archelaus wrote that life on Earth began in a primeval slime.
     From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus
     A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea.