27 ideas
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 15063 | Some sentences depend for their truth on worldly circumstances, and others do not [Fine,K] |
| Full Idea: There is a distinction between worldly and unworldly sentences, between sentences that depend for their truth upon the worldly circumstances and those that do not. | |
| From: Kit Fine (Necessity and Non-Existence [2005], Intro) | |
| A reaction: Fine is fishing around in the area between the necessary, the a priori, truthmakers, and truth-conditions. He appears to be attempting a singlehanded reconstruction of the concepts of metaphysics. Is he major, or very marginal? |
| 15078 | There are levels of existence, as well as reality; objects exist at the lowest level in which they can function [Fine,K] |
| Full Idea: Just as we recognise different levels of reality, so we should recognise different levels of existence. Each object will exist at the lowest level at which it can enjoy its characteristic form of life. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 10) | |
| A reaction: I'm struggling with this claim, despite my sympathy for much of Fine's picture. I'm not sure that the so-called 'levels' of reality have different degrees of reality. |
| 15072 | Bottom level facts are subject to time and world, middle to world but not time, and top to neither [Fine,K] |
| Full Idea: At the bottom are tensed or temporal facts, subject to the vicissitudes of time and hence of the world. Then come the timeless though worldly facts, subject to the world but not to time. Top are transcendental facts, subject to neither world nor time. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 08) | |
| A reaction: For all of Fine's awesome grasp of logic and semantics, when he divides reality up as boldly as this I start to side a bit with the sceptics about modern metaphysics (like Ladyman and Ross). I daresay Fine acknowledges that it is 'speculative'. |
| 15071 | Tensed and tenseless sentences state two sorts of fact, which belong to two different 'realms' of reality [Fine,K] |
| Full Idea: A tensed fact is stated by a tensed sentence while a tenseless fact is stated by a tenseless sentence, and they belong to two 'realms' of reality. That Socrates drank hemlock is in the temporal realm, while 2+2=4 is presumably in the timeless realm. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 07) | |
| A reaction: Put so strongly, I suddenly find sales resistance to his proposal. All my instincts favour one realm, and I take 2+2=4 to be a highly general truth about that realm. It may be a truth of any possible realm, which would distinguish it. |
| 15075 | Modal features are not part of entities, because they are accounted for by the entity [Fine,K] |
| Full Idea: It is natural to suggest that to be a man is to have certain kind of temporal-modal profile. ...but it seems natural that being a man accounts for the profile, ...so one should not appeal to an object's modal features in stating what the object is. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 09) | |
| A reaction: This strikes me as a correct and very helpful point, as I am tempted to think that the modal dispositions of a thing are intrinsic to its identity. If we accept 'powers', must they be modal in character? Fine backs a sortal approach. That's ideology. |
| 15065 | What it is is fixed prior to existence or the object's worldly features [Fine,K] |
| Full Idea: The identity of an object - what it is - is not a worldly matter; essence will precede existence in that the identity of an object may be fixed by its unworldly features even before any question of its existence or other worldly features is considered. | |
| From: Kit Fine (Necessity and Non-Existence [2005], Intro) | |
| A reaction: I'm not clear how this cashes out. If I remove the 'worldly features' of an object, what is there left which establishes identity? Fine carefully avoids talk of 'a priori' knowledge of identity. |
| 15076 | Essential features of an object have no relation to how things actually are [Fine,K] |
| Full Idea: It is the core essential features of the object that will be independent of how things turn out, and they will be independent in the sense of holding regardless of circumstances, not whatever the circumstances. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 09) | |
| A reaction: The distinction at the end seems to be that 'regardless' pays no attention to circumstances, whereas 'whatever' pays attention to all circumstances. In other words, essence has no relationship to how things are. Plausible. Nice to see 'core'. |
| 15073 | Self-identity should have two components, its existence, and its neutral identity with itself [Fine,K] |
| Full Idea: The existential identity of an object with itself needs analysis into two components, one the neutral identity of the object with itself, and the other its existence. The existence of the object appears to be merely a gratuitous addition to its identity. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 08) | |
| A reaction: This is at least a step towards clarification of the notion, which might be seen as just a way of asserting that something 'has an identity'. Fine likes the modern Fregean way of expressing this, as an equality relation. |
| 15074 | We would understand identity between objects, even if their existence was impossible [Fine,K] |
| Full Idea: If there were impossible objects, ones that do not possibly exist, we would have no difficulty in understanding what it is for such objects to be identical or distinct than in the case of possible objects. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 08) | |
| A reaction: Thus, a 'circular square' seems to be the same as a 'square circle'. Fine is arguing for identity to be independent of any questions of existence. |
| 15064 | Proper necessary truths hold whatever the circumstances; transcendent truths regardless of circumstances [Fine,K] |
| Full Idea: We distinguish between the necessary truths proper, those that hold whatever the circumstances, and the transcendent truths, those that hold regardless of the circumstances. | |
| From: Kit Fine (Necessity and Non-Existence [2005], Intro) | |
| A reaction: Fine's project seems to be dividing the necessities which derive from essence from the necessities which tended to be branded in essentialist discussions as 'trivial'. |
| 15070 | It is the nature of Socrates to be a man, so necessarily he is a man [Fine,K] |
| Full Idea: It is of the nature of Socrates to be a man; and from this it appears to follow that necessarily he is a man. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 04) | |
| A reaction: I'm always puzzled by this line of thought, because it is only the intrinsic nature of beings like Socrates which decides in the first place what a 'man' is. How can something help to create a category, and then necessarily belong to that category? |
| 15069 | Possible worlds may be more limited, to how things might actually turn out [Fine,K] |
| Full Idea: An alternative conception of a possible world says it is constituted, not by the totality of facts, or of how things might be, but by the totality of circumstances, or how things might turn out. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 02) | |
| A reaction: The general idea is to make a possible world more limited than in Idea 15068. It only contains properties arising from 'engagement with the world', and won't include timeless sentences. It is a bunch of possibilities, not of actualities? |
| 15068 | The actual world is a totality of facts, so we also think of possible worlds as totalities [Fine,K] |
| Full Idea: We are accustomed think of the actual world as the totality of facts, and so we think of any possible world as being like the actual world in settling the truth-value of every single proposition. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 02) | |
| A reaction: Hence it is normal to refer to a possible world as a 'maximal' set of of propositions (sentences, etc). See Idea 15069 for his proposed alternative view. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 15077 | It is said that in the A-theory, all existents and objects must be tensed, as well as the sentences [Fine,K] |
| Full Idea: It is said that there is no room in the A-theorists' ontology for a realm of timeless existents. Just as there is a tendency to think that every sentence is tensed, so there is a tendency to think that every object must enjoy a tensed form of existence. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 10) | |
| A reaction: Fine is arguing for certain things to exist or be true independently of time (such as arithmetic, or essential identities). I struggle with the notion of timeless existence. |
| 15067 | A-theorists tend to reject the tensed/tenseless distinction [Fine,K] |
| Full Idea: Most A-theorists have been inclined to reject the tensed/tenseless distinction. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 01) | |
| A reaction: Presumably this is because they reject the notion of 'tenseless' truths. But sentences like 'two and two make four' seem not to be very tensy. |
| 15066 | B-theorists say tensed sentences have an unfilled argument-place for a time [Fine,K] |
| Full Idea: B-theorists regard tensed sentences as incomplete expressions, implicitly containing an unfilled argument-place for the time at which they are to be evaluated. | |
| From: Kit Fine (Necessity and Non-Existence [2005], 01) | |
| A reaction: To distinguish past from future it looks as if you would need two argument-places, not one. Then there are 'used to be' and 'had been' to evaluate. |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |