Combining Texts

All the ideas for 'fragments/reports', 'Introductions to 'Aesthetics and the Phil of Art'' and 'Transworld Identity or worldbound Individuals?'

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12 ideas

10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
Asserting a possible property is to say it would have had the property if that world had been actual [Plantinga]
     Full Idea: To say than x has a property in a possible world is simply to say that x would have had the property if that world had been actual.
     From: Alvin Plantinga (Transworld Identity or worldbound Individuals? [1973], I)
     A reaction: Plantinga tries to defuse all the problems with identity across possible worlds, by hanging on to subjunctive verbs and modal modifiers. The point, though, was to explain these, or at least to try to give their logical form.
10. Modality / E. Possible worlds / 2. Nature of Possible Worlds / a. Nature of possible worlds
A possible world is a maximal possible state of affairs [Plantinga]
     Full Idea: A possible world is just a maximal possible state of affairs.
     From: Alvin Plantinga (Transworld Identity or worldbound Individuals? [1973], I)
     A reaction: The key point here is that Plantinga includes the word 'possible' in his definition. Possibility defines the worlds, and so worlds cannot be used on their own to define possibility.
10. Modality / E. Possible worlds / 3. Transworld Objects / a. Transworld identity
If possible Socrates differs from actual Socrates, the Indiscernibility of Identicals says they are different [Plantinga]
     Full Idea: If the Socrates of the actual world has snubnosedness but Socrates-in-W does not, this is surely inconsistent with the Indiscernibility of Identicals, a principle than which none sounder can be conceived.
     From: Alvin Plantinga (Transworld Identity or worldbound Individuals? [1973], I)
     A reaction: However, we allow Socrates to differ over time while remaining the same Socrates, so some similar approach should apply here. In both cases we need some notion of what is essential to Socrates. But what unites aged 3 with aged 70?
It doesn't matter that we can't identify the possible Socrates; we can't identify adults from baby photos [Plantinga]
     Full Idea: We may say it makes no sense to say that Socrates exists at a world, if there is in principle no way of identifying him. ...But this is confused. To suppose Agnew was a precocious baby, we needn't be able to pick him from a gallery of babies.
     From: Alvin Plantinga (Transworld Identity or worldbound Individuals? [1973], I)
     A reaction: This seems a good point, and yet we have a space-time line joining adult Agnew with baby Agnew, and no such causal link is available between persons in different possible worlds. What would be the criterion in each case?
If individuals can only exist in one world, then they can never lack any of their properties [Plantinga]
     Full Idea: The Theory of Worldbound Individuals contends that no object exists in more than one possible world; this implies the outrageous view that - taking properties in the broadest sense - no object could have lacked any property that it in fact has.
     From: Alvin Plantinga (Transworld Identity or worldbound Individuals? [1973], II)
     A reaction: Leibniz is the best known exponent of this 'outrageous view', though Plantinga shows that Lewis may be seen in the same light, since only counterparts are found in possible worlds, not the real thing. The Theory does seem wrong.
10. Modality / E. Possible worlds / 3. Transworld Objects / c. Counterparts
The counterparts of Socrates have self-identity, but only the actual Socrates has identity-with-Socrates [Plantinga]
     Full Idea: While Socrates has no counterparts that lack self-identity, he does have counterparts that lack identity-with-Socrates. He alone has that - the property, that is, of being identical with the object that in fact instantiates Socrateity.
     From: Alvin Plantinga (Transworld Identity or worldbound Individuals? [1973], II)
     A reaction: I am never persuaded by arguments which rest on such dubious pseudo-properties. Whether or not a counterpart of Socrates has any sort of identity with Socrates cannot be prejudged, as it would beg the question.
Counterpart Theory absurdly says I would be someone else if things went differently [Plantinga]
     Full Idea: It makes no sense to say I could have been someone else, yet Counterpart Theory implies not merely that I could have been distinct from myself, but that I would have been distinct from myself had things gone differently in even the most miniscule detail.
     From: Alvin Plantinga (Transworld Identity or worldbound Individuals? [1973], II)
     A reaction: A counterpart doesn't appear to be 'me being distinct from myself'. We have to combine counterparts over possible worlds with perdurance over time. I am a 'worm' of time-slices. Anything not in that worm is not strictly me.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
     Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
     Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
     Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
     A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.
26. Natural Theory / A. Speculations on Nature / 5. Infinite in Nature
Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius]
     Full Idea: Archelaus was the first person to say that the universe is boundless.
     From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3
27. Natural Reality / G. Biology / 3. Evolution
Archelaus said life began in a primeval slime [Archelaus, by Schofield]
     Full Idea: Archelaus wrote that life on Earth began in a primeval slime.
     From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus
     A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea.