29 ideas
| 10775 | The axiom of choice now seems acceptable and obvious (if it is meaningful) [Tharp] |
| Full Idea: The main objection to the axiom of choice was that it had to be given by some law or definition, but since sets are arbitrary this seems irrelevant. Formalists consider it meaningless, but set-theorists consider it as true, and practically obvious. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §3) |
| 10766 | Logic is either for demonstration, or for characterizing structures [Tharp] |
| Full Idea: One can distinguish at least two quite different senses of logic: as an instrument of demonstration, and perhaps as an instrument for the characterization of structures. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) | |
| A reaction: This is trying to capture the proof-theory and semantic aspects, but merely 'characterizing' something sounds like a rather feeble aspiration for the semantic side of things. Isn't it to do with truth, rather than just rule-following? |
| 10767 | Elementary logic is complete, but cannot capture mathematics [Tharp] |
| Full Idea: Elementary logic cannot characterize the usual mathematical structures, but seems to be distinguished by its completeness. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) |
| 10769 | Second-order logic isn't provable, but will express set-theory and classic problems [Tharp] |
| Full Idea: The expressive power of second-order logic is too great to admit a proof procedure, but is adequate to express set-theoretical statements, and open questions such as the continuum hypothesis or the existence of big cardinals are easily stated. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) |
| 10762 | In sentential logic there is a simple proof that all truth functions can be reduced to 'not' and 'and' [Tharp] |
| Full Idea: In sentential logic there is a simple proof that all truth functions, of any number of arguments, are definable from (say) 'not' and 'and'. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §0) | |
| A reaction: The point of 'say' is that it can be got down to two connectives, and these are just the usual preferred pair. |
| 10776 | The main quantifiers extend 'and' and 'or' to infinite domains [Tharp] |
| Full Idea: The symbols ∀ and ∃ may, to start with, be regarded as extrapolations of the truth functional connectives ∧ ('and') and ∨ ('or') to infinite domains. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §5) |
| 10774 | There are at least five unorthodox quantifiers that could be used [Tharp] |
| Full Idea: One might add to one's logic an 'uncountable quantifier', or a 'Chang quantifier', or a 'two-argument quantifier', or 'Shelah's quantifier', or 'branching quantifiers'. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §3) | |
| A reaction: [compressed - just listed for reference, if you collect quantifiers, like collecting butterflies] |
| 10777 | Skolem mistakenly inferred that Cantor's conceptions were illusory [Tharp] |
| Full Idea: Skolem deduced from the Löwenheim-Skolem theorem that 'the absolutist conceptions of Cantor's theory' are 'illusory'. I think it is clear that this conclusion would not follow even if elementary logic were in some sense the true logic, as Skolem assumed. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §7) | |
| A reaction: [Tharp cites Skolem 1962 p.47] Kit Fine refers to accepters of this scepticism about the arithmetic of infinities as 'Skolemites'. |
| 10773 | The Löwenheim-Skolem property is a limitation (e.g. can't say there are uncountably many reals) [Tharp] |
| Full Idea: The Löwenheim-Skolem property seems to be undesirable, in that it states a limitation concerning the distinctions the logic is capable of making, such as saying there are uncountably many reals ('Skolem's Paradox'). | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) |
| 10765 | Soundness would seem to be an essential requirement of a proof procedure [Tharp] |
| Full Idea: Soundness would seem to be an essential requirement of a proof procedure, since there is little point in proving formulas which may turn out to be false under some interpretation. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) |
| 10763 | Completeness and compactness together give axiomatizability [Tharp] |
| Full Idea: Putting completeness and compactness together, one has axiomatizability. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §1) |
| 10770 | If completeness fails there is no algorithm to list the valid formulas [Tharp] |
| Full Idea: In general, if completeness fails there is no algorithm to list the valid formulas. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) | |
| A reaction: I.e. the theory is not effectively enumerable. |
| 10771 | Compactness is important for major theories which have infinitely many axioms [Tharp] |
| Full Idea: It is strange that compactness is often ignored in discussions of philosophy of logic, since the most important theories have infinitely many axioms. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) | |
| A reaction: An example of infinite axioms is the induction schema in first-order Peano Arithmetic. |
| 10772 | Compactness blocks infinite expansion, and admits non-standard models [Tharp] |
| Full Idea: The compactness condition seems to state some weakness of the logic (as if it were futile to add infinitely many hypotheses). To look at it another way, formalizations of (say) arithmetic will admit of non-standard models. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) |
| 10764 | A complete logic has an effective enumeration of the valid formulas [Tharp] |
| Full Idea: A complete logic has an effective enumeration of the valid formulas. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) |
| 10768 | Effective enumeration might be proved but not specified, so it won't guarantee knowledge [Tharp] |
| Full Idea: Despite completeness, the mere existence of an effective enumeration of the valid formulas will not, by itself, provide knowledge. For example, one might be able to prove that there is an effective enumeration, without being able to specify one. | |
| From: Leslie H. Tharp (Which Logic is the Right Logic? [1975], §2) | |
| A reaction: The point is that completeness is supposed to ensure knowledge (of what is valid but unprovable), and completeness entails effective enumerability, but more than the latter is needed to do the key job. |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |