13 ideas
| 8851 | Coherentists say that regress problems are assuming 'linear' justification [Williams,M] |
| Full Idea: From the point of view of the coherentist, Agrippa's Dilemma fails because it presupposes a 'linear' conception of justifying inference. | |
| From: Michael Williams (Without Immediate Justification [2005], §2) | |
| A reaction: [He cites Bonjour 1985 for this view] Since a belief may have several justifications, and one belief could justify a host of others, there certainly isn't a simple line of justifications. I agree with the coherentist picture here. |
| 8849 | Traditional foundationalism is radically internalist [Williams,M] |
| Full Idea: Traditional foundationalism is radically internalist. The justification-making factors for beliefs, basic and otherwise, are all open to view, and perhaps even actual objects of awareness. I am always in a position to know that I know. | |
| From: Michael Williams (Without Immediate Justification [2005], §1) | |
| A reaction: This is a helpful if one is trying to draw a map of the debate. An externalist foundationalism would have to terminate in the external fact which was the object of knowledge (via some reliable channel), but that is the truth, not the justification. |
| 8853 | Basic judgements are immune from error because they have no content [Williams,M] |
| Full Idea: Basic judgements threaten to buy their immunity from error at the cost of being drained of descriptive content altogether. | |
| From: Michael Williams (Without Immediate Justification [2005], §4) | |
| A reaction: This is probably the key objection to foundationalism. As you import sufficient content into basic experiences to enable them to actually justify a set of beliefs, you find you have imported all sorts of comparisons and classifications as well. |
| 8855 | Sensory experience may be fixed, but it can still be misdescribed [Williams,M] |
| Full Idea: The fact that experiential contents cannot be other than they are, as far as sensory awareness goes, does not imply that we cannot misdescribe them, as in misreporting the number of speckles on a speckled hen (Chisholm's example). | |
| From: Michael Williams (Without Immediate Justification [2005], §4) | |
| A reaction: [Chisholm 1942 is cited] Such experiences couldn't be basic beliefs if there was a conflict between their intrinsic nature and the description I used in discussing them. |
| 8852 | In the context of scepticism, externalism does not seem to be an option [Williams,M] |
| Full Idea: In the peculiar context of the skeptical challenge, it is easy to persuade oneself that externalism is not an option. | |
| From: Michael Williams (Without Immediate Justification [2005], §3) | |
| A reaction: This is because externalism sees justification as largely non-conscious, but when faced with scepticism, the justifications need to be spelled out, and therefore internalised. So are sceptical discussions basic, or freakish anomalies? |
| 22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
| Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some') | |
| A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio? |
| 22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
| Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1') | |
| A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels. |
| 22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
| Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], n 1) | |
| A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve). |
| 22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
| Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut. |
| 22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
| Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited') | |
| A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois. |
| 22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
| Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point. |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |