Combining Texts

All the ideas for 'fragments/reports', 'The Principles of Art' and 'Reflections on my Critics'

unexpand these ideas     |    start again     |     specify just one area for these texts


8 ideas

3. Truth / H. Deflationary Truth / 2. Deflationary Truth
'Truth' may only apply within a theory [Kuhn]
     Full Idea: 'Truth' may, like 'proof', be a term with only intra-theoretic applications.
     From: Thomas S. Kuhn (Reflections on my Critics [1970], §5)
     A reaction: I think we can blame Tarski (via Quine, Kuhn's teacher) for this one. I take it to be an utter failure to grasp the meaning of the word 'truth' (and sneakily substituting 'satisfaction' for it). For a start, we have to compare theories on some basis.
14. Science / B. Scientific Theories / 1. Scientific Theory
Kuhn came to accept that all scientists agree on a particular set of values [Kuhn, by Bird]
     Full Idea: Kuhn later came to accept that there are five values to which scientists in all paradigms adhere: accuracy; consistency with accepted theories; broad scope; simplicity; and fruitfulness.
     From: report of Thomas S. Kuhn (Reflections on my Critics [1970]) by Alexander Bird - Philosophy of Science Ch.8
     A reaction: To shake off the relativism for which Kuhn is notorious, we should begin by asking the question WHY scientists favoured these particular values, rather than (say) bizarreness, consistency with Lewis Carroll, or alliteration. (They are epistemic virtues).
14. Science / B. Scientific Theories / 5. Commensurability
In theory change, words shift their natural reference, so the theories are incommensurable [Kuhn]
     Full Idea: In transitions between theories words change their meanings or applicability. Though most of the signs are used before and after a revolution - force, mass, cell - the ways they attach to nature has changed. Successive theories are thus incommensurable.
     From: Thomas S. Kuhn (Reflections on my Critics [1970], §6)
     A reaction: A very nice statement of the view, from the horse's mouth. A great deal of recent philosophy has been implicitly concerned with meeting Kuhn's challenge, by providing an account of reference that doesn't have such problems.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
     Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
     From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
     A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
     Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
     From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
     A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
21. Aesthetics / C. Artistic Issues / 6. Value of Art
Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S]
     Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge.
     From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4
     A reaction: I might believe this of writing novels, but not much else.
26. Natural Theory / A. Speculations on Nature / 5. Infinite in Nature
Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius]
     Full Idea: Archelaus was the first person to say that the universe is boundless.
     From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3
27. Natural Reality / G. Biology / 3. Evolution
Archelaus said life began in a primeval slime [Archelaus, by Schofield]
     Full Idea: Archelaus wrote that life on Earth began in a primeval slime.
     From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus
     A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea.