Combining Texts

All the ideas for 'fragments/reports', 'Public Text and Common Reader' and 'A Universe from Nothing'

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16 ideas

7. Existence / C. Structure of Existence / 2. Reduction
An understanding of the most basic physics should explain all of the subject's mysteries [Krauss]
     Full Idea: Once we understood the fundamental laws that govern forces of nature at its smallest scales, all of these current mysteries would be revealed as natural consequences of these laws.
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 08)
     A reaction: This expresses the reductionist view within physics itself. Krauss says the discovery that empty space itself contains energy has led to a revision of this view (because that is not part of the forces and particles studied in basic physics).
7. Existence / C. Structure of Existence / 6. Fundamentals / c. Monads
In 1676 it was discovered that water is teeming with life [Krauss]
     Full Idea: Van Leeuwenhoek first stared at a drop of seemingly empty water with a microscope in 1676 and discovered in was teeming with life.
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 04)
     A reaction: I am convinced that this had a huge influence on Leibniz's concept of monads. He immediately became convinced that it was some sort of life all the way down. He would be have been disappointed by the subsequent chemical reduction of life.
21. Aesthetics / A. Aesthetic Experience / 3. Taste
Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton]
     Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons.
     From: Roger Scruton (Public Text and Common Reader [1982], p.27)
     A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen?
21. Aesthetics / B. Nature of Art / 5. Art as Language
In literature, word replacement changes literary meaning [Scruton]
     Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning.
     From: Roger Scruton (Public Text and Common Reader [1982], p.25)
     A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations.
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Without intentions we can't perceive sculpture, but that is not the whole story [Scruton]
     Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention.
     From: Roger Scruton (Public Text and Common Reader [1982], p.15)
     A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech.
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
In aesthetic interest, even what is true is treated as though it were not [Scruton]
     Full Idea: In aesthetic interest, even what is true is treated as though it were not.
     From: Roger Scruton (Public Text and Common Reader [1982], p.18)
     A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
We can be objective about conventions, but love of art is needed to understand its traditions [Scruton]
     Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present.
     From: Roger Scruton (Public Text and Common Reader [1982], p.24)
     A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means.
26. Natural Theory / A. Speculations on Nature / 5. Infinite in Nature
Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius]
     Full Idea: Archelaus was the first person to say that the universe is boundless.
     From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3
27. Natural Reality / B. Modern Physics / 1. Relativity / a. Special relativity
Space itself can expand (and separate its contents) at faster than light speeds [Krauss]
     Full Idea: Special Relativity says nothing can travel 'through space' faster than the speed of light. But space itself can do whatever the heck it wants, at least in general relativity. And it can carry distant objects apart from one another at superluminal speeds
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 06)
     A reaction: Another of my misunderstandings corrected. I assumed that the event horizon (limit of observability) was defined by the stuff retreating at (max) light speed. But beyond that it retreats even faster! What about the photons in space?
27. Natural Reality / B. Modern Physics / 1. Relativity / b. General relativity
General Relativity: the density of energy and matter determines curvature and gravity [Krauss]
     Full Idea: The left-hand side of the general relativity equations descrbe the curvature of the universe, and the strength of gravitational forces acting on matter and radiation. The right-hand sides reflect the total density of all kinds of energy and matter.
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 04)
     A reaction: I had assumed that the equations just described the geometry. In fact the matter determines the nature of the universe in which it exists. Presumably only things with mass get a vote.
27. Natural Reality / B. Modern Physics / 2. Electrodynamics / d. Quantum mechanics
Uncertainty says that energy can be very high over very short time periods [Krauss]
     Full Idea: The Heisenberg Uncertainty Principle says that the uncertainty in the measured energy of a system is inversely proportional to the length of time over which you observe it. (This allow near infinite energy over very short times).
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 04)
     A reaction: Apparently this brief energy is 'borrowed', and must be quickly repaid.
27. Natural Reality / B. Modern Physics / 4. Standard Model / e. Protons
Most of the mass of a proton is the energy in virtual particles (rather than the quarks) [Krauss]
     Full Idea: The quarks provide very little of the total mass of a proton, and the fields created by the virtual particles contribute most of the energy that goes into the proton's rest energy and, hence, its mass.
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 04)
     A reaction: He gives an artist's impression of the interior of a proton, which looks like a ship's engine room.
27. Natural Reality / C. Space / 2. Space
Empty space contains a continual flux of brief virtual particles [Krauss]
     Full Idea: Empty space is complicated. It is a boiling brew of virtual particles that pop in and out of existence in a time so short we cannot see them directly.
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 10)
     A reaction: Apparently the interior of a proton is also like this. This fact gives a foot in the door for explanations of how the Big Bang got started, from these virtual particles. And yet surely space itself only arrives with the Big Bang?
27. Natural Reality / E. Cosmology / 3. The Beginning
The universe is precisely 13.72 billion years old [Krauss]
     Full Idea: We now know the age of the universe to four significant figures. It is 13.72 billion years old!
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 05)
     A reaction: It amazes me how many people, especially in philosophy, would be reluctant to accept that this is a know fact. I'm not accepting its certainty, but an assertion like this from a leading figure is good enough for me, and it should be for you.
27. Natural Reality / E. Cosmology / 10. Multiverse
It seems likely that cosmic inflation is eternal, and this would make a multiverse inevitable [Krauss]
     Full Idea: A multiverse is inevitable if inflation is eternal, and eternal inflation is by far the most likely possibility in most, if not all, inflationary scenarios.
     From: Lawrence M. Krauss (A Universe from Nothing [2012], 08)
27. Natural Reality / G. Biology / 3. Evolution
Archelaus said life began in a primeval slime [Archelaus, by Schofield]
     Full Idea: Archelaus wrote that life on Earth began in a primeval slime.
     From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus
     A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea.