12 ideas
| 19594 | General statements about nature are not valid [Novalis] |
| Full Idea: General statements are not valid in the study of nature. | |
| From: Novalis (Last Fragments [1800], 17) | |
| A reaction: This is his striking obsession with the particularity and fine detail of nature. Alexander von Humbolt was exploring nature in S.America in this year. It sounds wrong about physics, but possibly right about biology. |
| 19596 | The whole body is involved in the formation of thoughts [Novalis] |
| Full Idea: In the formation of thoughts all parts of the body seem to me to be working together. | |
| From: Novalis (Last Fragments [1800], 20) | |
| A reaction: I can only think that Spinoza must be behind this thought, or La Mettrie. It seems a strikingly unusual intuition for its time, when almost everyone takes a spiritual sort of dualism for granted. |
| 12163 | Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton] |
| Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.27) | |
| A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen? |
| 12162 | In literature, word replacement changes literary meaning [Scruton] |
| Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.25) | |
| A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations. |
| 12159 | Without intentions we can't perceive sculpture, but that is not the whole story [Scruton] |
| Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.15) | |
| A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech. |
| 12160 | In aesthetic interest, even what is true is treated as though it were not [Scruton] |
| Full Idea: In aesthetic interest, even what is true is treated as though it were not. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.18) | |
| A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse. |
| 12161 | We can be objective about conventions, but love of art is needed to understand its traditions [Scruton] |
| Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.24) | |
| A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means. |
| 19593 | Persons are shaped by a life history; splendid persons are shaped by world history [Novalis] |
| Full Idea: What is it that shapes a person if not his life history? And in the same way a splendid person is shaped by nothing other than world history. Many people live better in the past and in the future than in the present. | |
| From: Novalis (Last Fragments [1800], 15) | |
| A reaction: Clearly there is a lot to be said for splendid people who live entirely in the present (such as jazz musicians). Some people do have an awesomely wide historical perspective on their immediate lives. Palaeontology is not the master discipline though! |
| 19595 | Nature is a whole, and its individual parts cannot be wholly understood [Novalis] |
| Full Idea: Nature is a whole - in which each part in itself can never be wholly understood. | |
| From: Novalis (Last Fragments [1800], 18) | |
| A reaction: This doesn't seem right when studying some item in a laboratory, but it seems undeniable when you consider the history and future of each item. |
| 19592 | The basic relations of nature are musical [Novalis] |
| Full Idea: Musical relations seem to me to be actually the basic relations of nature. | |
| From: Novalis (Last Fragments [1800], 10) | |
| A reaction: Novalis shows no signs of being a pythagorean, and then suddenly comes out with this. I suppose if you love music, this thought should float into your mind at regular intervals, because the power of music is so strong. Does he mean ratios? |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |