12 ideas
| 23651 | Universals are not objects of sense and cannot be imagined - but can be conceived [Reid] |
| Full Idea: A universal is not an object of any sense, and therefore cannot be imagined; but it may be distinctly conceived. | |
| From: Thomas Reid (Essays on Intellectual Powers 5: Abstraction [1785], 6) | |
| A reaction: If you try to imagine whiteness, what size is it, and what substance embodies it? Neither are needed to think of whiteness, so Reid is right. A nice observation. |
| 23650 | Only individuals exist [Reid] |
| Full Idea: Everything that really exists is an individual. | |
| From: Thomas Reid (Essays on Intellectual Powers 5: Abstraction [1785], 6) | |
| A reaction: Locke is the probable inspiration for this nominalist affirmation. Not sure how high temperature plasma, or the oceans of the world, fit into this. On the whole I agree with him. He is mainly rejecting abstract universals. |
| 23649 | No one thinks two sheets possess a single whiteness, but all agree they are both white [Reid] |
| Full Idea: If we say that the whiteness of this sheet is the whiteness of another sheet, every man perceives this to be absurd; but when he says both sheets are white, this is true and perfectly understood. | |
| From: Thomas Reid (Essays on Intellectual Powers 5: Abstraction [1785], 3) | |
| A reaction: Well said. Only a philosopher could think the whiteness of one sheet is exactly the same entity as the whiteness of a different sheet. We seem to have brilliantly and correctly labelled them both as white, and then thought that one word implies one thing. |
| 11874 | Real identity admits of no degrees [Reid] |
| Full Idea: Wherever identity is real, it admits of no degrees. | |
| From: Thomas Reid (Essays on Intellectual Powers 5: Abstraction [1785]), quoted by David Wiggins - Sameness and Substance Renewed 6 epig | |
| A reaction: Wiggins quotes this with strong approval. Personally I am inclined to think that identity may admit of no degrees in human thought, because that is the only way we can do it, but the world is full of uncertain identities, at every level. |
| 23652 | We must first conceive things before we can consider them [Reid] |
| Full Idea: No man can consider a thing which he does not conceive. | |
| From: Thomas Reid (Essays on Intellectual Powers 5: Abstraction [1785], 6) | |
| A reaction: This seems to imply concepts, but we should not take this to be linguistic, since animals obviously consider things and make judgements. |
| 23648 | First we notice and name attributes ('abstracting'); then we notice that subjects share them ('generalising') [Reid] |
| Full Idea: First we resolve or analyse a subject into its known attributes, and give a name to each attribute. Then we observe one or more attributes to be common to many subjects. The first philosophers call 'abstraction', and the second is 'generalising'. | |
| From: Thomas Reid (Essays on Intellectual Powers 5: Abstraction [1785], 3) | |
| A reaction: It is very unfashionable in analytic philosophy to view universals in this way, but it strikes me as obviously correct. There are not weird abstract entities awaiting a priori intuition. There are just features of the world to be observed and picked out. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 1748 | Archelaus was the first person to say that the universe is boundless [Archelaus, by Diog. Laertius] |
| Full Idea: Archelaus was the first person to say that the universe is boundless. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.3 |
| 5989 | Archelaus said life began in a primeval slime [Archelaus, by Schofield] |
| Full Idea: Archelaus wrote that life on Earth began in a primeval slime. | |
| From: report of Archelaus (fragments/reports [c.450 BCE]) by Malcolm Schofield - Archelaus | |
| A reaction: This sounds like a fairly clearcut assertion of the production of life by evolution. Darwin's contribution was to propose the mechanism for achieving it. We should honour the name of Archelaus for this idea. |