17 ideas
| 1749 | If all laws were abolished, philosophers would still live as they do now [Aristippus elder] |
| Full Idea: If all laws were abolished, philosophers would still live as they do now. | |
| From: Aristippus the elder (fragments/reports [c.395 BCE]), quoted by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.4 | |
| A reaction: Presumably philosophers develop inner laws which other people lack. |
| 20400 | Intentions either succeed or fail, so external evidence for them is always irrelevant [Wimsatt/Beardsley, by Davies,S] |
| Full Idea: Wimsatt and Beardsley claimed that either the intention succeeded, so one does not need to look outside the work for its meaning, or the intention failed, so external evidence does not help. | |
| From: report of W Wimsatt/W Beardsley (The Intentional Fallacy [1946]) by Stephen Davies - The Philosophy of Art (2nd ed) 5.3 | |
| A reaction: Actually, the external evidence may tell you much more clearly and accurately what the intention was than the work itself does. The best example may be the title of the work, which is presumably outside the work. |
| 7266 | The author's intentions are irrelevant to the judgement of a work's success [Wimsatt/Beardsley] |
| Full Idea: The design or intention of the author is neither available nor desirable as a standard for judging the success of a work of literary art. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: This famous proposal may have been misunderstood. Note that it is a comment about judging the work, not about understanding it. The idea allows for a work being much more successful than the author's humble intentions (e.g. Pepys). |
| 7267 | Poetry, unlike messages, can be successful without communicating intentions [Wimsatt/Beardsley] |
| Full Idea: Poetry differs from practical messages, which are successful if and only if we correctly infer the intention. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: I am not convinced by this claim. It is plausible that a work does much more than it intends (Astaire said he danced "to make a buck"), but it is rather odd to rate very highly a work of which you have missed the point. |
| 7268 | The thoughts of a poem should be imputed to the dramatic speaker, and hardly at all to the poet [Wimsatt/Beardsley] |
| Full Idea: We ought to impute the thoughts and attitudes of the poem immediately to the dramatic speaker, and if to the author at all, only by an act of biographical inference. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §I) | |
| A reaction: Wrong. If in Browning's "My Last Duchess" (say), we only inferred the mind of the speaker (and his Duchess), and took no interest in Browning's view of things, we would miss the point. We might end up respecting the Duke, which would be daft. |
| 7269 | The intentional fallacy is a romantic one [Wimsatt/Beardsley] |
| Full Idea: The intentional fallacy is a romantic one. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §II) | |
| A reaction: Wrong. Even with those most famous of anonymous artists, the architects and carvers of medieval cathedrals, without some discernment of the purpose you won't get it. The Taj Mahal is a love letter, not a potential ice cream parlour. |
| 7271 | Biography can reveal meanings and dramatic character, as well as possible intentions [Wimsatt/Beardsley] |
| Full Idea: The use of biographical evidence need not involve intentionalism, because while it may be evidence of what the author intended, it may also be evidence of the meaning of his words and the dramatic character of his utterance. | |
| From: W Wimsatt/W Beardsley (The Intentional Fallacy [1946], §IV) | |
| A reaction: I am very keen to penetrate the author's intentions, but I have always be doubtful about the use of biography as a means to achieve this. Most of the effort to infer intentions must come from a study of the work itself, not introductions, letters etc. |
| 3558 | Only the Cyrenaics reject the idea of a final moral end [Aristippus elder, by Annas] |
| Full Idea: The Cyrenaics are the most radical ancient moral philosophers, since they are the only school explicitly to reject the importance of achieving an overall final end. | |
| From: report of Aristippus the elder (fragments/reports [c.395 BCE]) by Julia Annas - The Morality of Happiness 11.1 | |
| A reaction: This looks like dropping out, but it could also be Keats's 'negative capability', of simply participating in existence without needing to do anything about it. |
| 5835 | The road of freedom is the surest route to happiness [Aristippus elder, by Xenophon] |
| Full Idea: The surest road to happiness is not the path through rule nor through servitude, but through liberty. | |
| From: report of Aristippus the elder (fragments/reports [c.395 BCE]) by Xenophon - Memorabilia of Socrates 2.1.9 | |
| A reaction: The great anarchist slogan. Personally I don't believe it, because I agree a little with Hobbes that authority is required to make cooperation flourish, and that is essential for full happiness. If I were a slave, I would agree with Aristippus. |
| 3018 | People who object to extravagant pleasures just love money [Aristippus elder, by Diog. Laertius] |
| Full Idea: When blamed for buying expensive food he asked "Would you have bought it for just three obols?" When the person said yes, he said,"Then it is not that I am fond of pleasure, but that you are fond of money". | |
| From: report of Aristippus the elder (fragments/reports [c.395 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.7.4 |
| 1751 | Pleasure is the good, because we always seek it, it satisfies us, and its opposite is the most avoidable thing [Aristippus elder, by Diog. Laertius] |
| Full Idea: Pleasure is the good because we desire it from childhood, when we have it we seek nothing further, and the most avoidable thing is its opposite, pain. | |
| From: report of Aristippus the elder (fragments/reports [c.395 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.8 |
| 23831 | The essence of power is illusory prestige [Weil] |
| Full Idea: Prestige, which is an illusion, is the very essence of power. | |
| From: Simone Weil (The Power of Words [1934], p.255) | |
| A reaction: It is hard to maintain illusory prestige if there is no actual power behind it. |
| 23830 | A group is only dangerous if it endorses an abstract entity [Weil] |
| Full Idea: Any group which has not secreted an abstract entity will probably not be dangerous. | |
| From: Simone Weil (The Power of Words [1934], p.255) | |
| A reaction: Written in the 1930s, the era of many political -isms. No group can be united if it lacks a clear label, and a few simple slogans. |
| 23829 | National leaders want to preserve necessary order - but always the existing order [Weil] |
| Full Idea: Those in command see their duty as defending order, without which no social life can survive; and the only order they conceive is the existing one. | |
| From: Simone Weil (The Power of Words [1934], p.249) | |
| A reaction: She sympathises with them, because a new order is such an unknown. But it always struck me as weird that traditions are preserved because they are traditions, and not because they are good. (My old school, for example!). |
| 23828 | National prestige consists of behaving as if you could beat the others in a war [Weil] |
| Full Idea: What is called national prestige consists in behaving always in such a way as to demoralise other nations by giving them the impression that, if it comes to war, one would certainly defeat them. | |
| From: Simone Weil (The Power of Words [1934], p.244) | |
| A reaction: It's true. No nation gains prestige because of the happy lives of its citizens, or the creativity of its culture. |
| 1755 | Errors result from external influence, and should be corrected, not hated [Aristippus elder, by Diog. Laertius] |
| Full Idea: Errors ought to meet with pardon, for a man does not err intentionally, but influenced by some external circumstances. We should not hate someone who has erred, but teach him better. | |
| From: report of Aristippus the elder (fragments/reports [c.395 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 02.Ar.9 |
| 23827 | Modern wars are fought in the name of empty words which are given capital letters [Weil] |
| Full Idea: For our contemporaries the role of Helen in the Trojan War is is played by words with capital letters. …When empty words are given capital letters, then, on the slightest pretext, men will begin shedding blood for them and piling up ruin in their name. | |
| From: Simone Weil (The Power of Words [1934], p.241) | |
| A reaction: This seems particularly true of the 1930s, where specific dogmatic ideologies seemed to grip and divide people. Simple aggressive nationalism seems to be the cause of current wars, now the fear of Communism has diminished. |